(03.30.05) Telefon Tel Aviv’s Joshua Eustis steps up to assist this Chicago duo on their first release for Hefty. I haven’t heard L’altra prior to […]
Author: igloomag
Prhizzm :: The Prhizzm EP (Benbecula, CD)
(03.29.05) Prhizzm first caught my attention on Audiobulb’s Intricate Maximals compilation and it is his EP release on Scotland’s Benbecula Records which has most recently […]
Quinoline Yellow :: Dol-Goy Assist (Skam, CD/2LP)
Dol-Goy Assist is surprisingly Quinoline Yellow’s debut album for respected Manchester label Skam. Although he often appears at live events Dol-Goy Assist is his only […]
Moby :: Hotel (V2, CD)
(03.23.05) Shortly after 18 was released, I seem to remember an interview with Moby where he laid the blame for depressed sales of that record […]
V/A :: Natural Born Chillers + Shulman :: 2x Review (Aleph Zero, CD)
V/A :: Natural Born Chillers CD Shulman :: In Search of a Meaningful Moment CD (03.22.05) The trouble with the word “chill” is the tendency […]
V/A :: Intricate Maximals (Audiobulb, CD)
(03.21.05) I love the name of Audiobulb’s new compilation Intricate Maximals. It suggests an environment of Mandelbrotian complexity, a series of whirrs, clicks, pops and bleeps that […]
MICROVIEW :: Volume 18 By TJ Norris
>>> Key . Frozen In Time (10 Below) . . On Thin Ice (Playable) . . . Icebreaker (Solid) . . . . Sonic Ice […]
Enduser :: Run War (Ad Noiseam, CD)
(03.16.05) Enduser is releasing stuff everywhere at the moment, think about his EP’s on Soothsayer, Sonic Terror and Ad Noiseam, his contributions for several compilations […]
Coin Gutter + Vox Barbara :: Double Review (Objective-Subjective)
::..:::…..:..::….:::::..:::..:::::::……:::…::.:::….::::..:..:::…::…….::::: Coin Gutter At Play Amidst The Strangeness and Charm CD-EP Vox Barbara “Oh, How the Ghost of You Clings…” CD-EP ::..:::…..:..::….:::::..:::..:::::::……:::…::.:::….::::..:..:::…::…….::::: (03.15.05) Canada’s Objective-Subjective […]
Noakes Pressure vs. DLF :: Rhyme More/5 Bar Funk (Projector, 7")
(03.15.05) The beauty of 7″ releases is that they don’t allow for much throw away material. An artist has one track, maybe two, in which […]










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