Elsewhereness revisited is an occasional feature documenting the drift at the margins: ambient gasbagging, ’tube-d, ’cloud-ed, and ’camp-ed up, complete with companion mix, Elsewhereness revisited #4. Gailes is Benoît Pioulard, late-period ambient mode engaged (cf. Sonnet, Stanza, Thine), and long-time student of decay, sustain & release, Rafael Anton Irisarri—guitar-y, synth-y, studio savvy. Previous dronership, solo and duo (Orcas), doesn’t quite […]
Post Tagged with: "Auxiliary"
While other sites might fight to get 1000s down to 50 or 20, at Igloo HQ we’ve refused to don the hair shirt of reducing respective contributor lists to a consensual singularity, in favour of doing justice to diversity via lists that range far and wide, and a congruent preference for letting their multiplicity simply […]
Dalliance #16 is an Ambient Techno mix from igloomag Contributing Editor, Alan Lockett aka MistMaxer albient—latest in a series from Techno’s Outer Limits (check incoming Oct. 2016 transmission). Sixteenth in a series of mixes assembling more than a score of dalliers in alliance to Techno pulse geared to Outer Limits atmosphere, Dalliance #16 finds albient colluding with: Acronym, Agnosia, Aleja Sanchez, Alfredo Mazzilli, […]
Latest in a series of emissions from Techno’s Twilight Zone of EPs/12″s and LPs with notes in the margins. Stroboscopic Artefacts‘ updates its Monad series with Monad XXIII, as Charlotte Isabelle ‘deliver a uniquely organic electronic music that seems as if it has been finely aged for years in oak barrels rather than residing on a computer’s hard drive.’ The French duo pursue […]
Elsewhereness Revisited is a new feature documenting the drift at the margins: ambientological meanderings, random bc-combing, cloud-watching, tube-findings, and a companion mix. Vol. #1: Ramblings of a AMB-man. First, Own Records, once a haunt for lovers of SotL, Basinski, Celer, et al., which after something of a snooze wakes with er… wake from hitherto unknown, kj. NY-based […]
Tracks on The Farthest Reaches register around 130 bpm, yet create a kind of illusion of movement towards a rolling half-step neo-Schaffel kinesis. A Zeitgeist-y convergence of genre vectors has been descried in ASC‘s recent work—a sense he ‘may well have just cracked the elusive code that binds techno and D&B’s mutually exclusive DNA’ (believe the boomkat hype!). James Clements continues […]