Full of twisted steel and liquid oscillation, Bogmon manifests smoothed electro arrangements next to cascading instrumental moments keeping this thirty-six minute epoch perfectly paced from start-to-end.
[Listen | Purchase] Ambiguity may be the best description for Bogmon’s alias of fine tuned audio artwork. Keeping peculiar dub-strands sizzling underneath a bed of subtle guitar plucking A Scream In The Void is just as cinematic as it is dance-floor ready yet doesn’t adhere to one template. Veering in simultaneous directions, Bogmon pushes ambience, noise, rhythm, electro and bass in a direction that is audibly unique and quite refreshing. This ambiguous scope of work revealed with the persistent Buried In Time imprint may initially appear as leftfield light-duty listening (take “Cloudscaping” as a prime example), however, Bogmon definitely understands how to extract tranquility amongst perpendicular tracks delivering raw rhythms as vividly expressed on “Serpent And Rainbow” and “Demons May Trail.”
Warmth spills with instrumental finesse while significant corridors of bass-laden waves punch the ears with a darkened energy. And it’s this tapestry of subtle layering that Bogmon encapsulates so well. A Scream In The Void may be rather short-lived, but it clearly pushes dub and low-end frequencies into boundless directions. Full of twisted steel and liquid oscillation, Bogmon manifests smoothed electro arrangements next to cascading instrumental moments keeping this thirty-six minute epoch perfectly paced from start-to-end.
At the purchase price of one US dollar (or any donation amount), A Scream In The Void is a must have that pleases the ears without draining the wallet.
A Scream in The Void is out now on Buried In Time. [Listen | Purchase]
