Experimental Electronic Music
While continuing the legacy and wholly unique style introduced in Nekkuja and in 2022’s breakthrough Pripyat (both released on PAN), Dja Dja, her first self-released album, sees a much stronger architecture and development: almost double the length of its predecessors, the album is configured as an epic, and directly inspired by the monomyth of the hero’s journey.
Their approaches, methods, and sound signatures are relatively aligned, revolving around microtonality and meditative spiritual stillness. Such a creative dialogue can only be harmonious, guided by an imaginative force that invites the listener on a mental journey elsewhere.
Four quite open and complex questions are the starting point for the creation of a rather personal guest mix that blends sound, imagination and memory. This new series is curated by sound artist and music producer Maria Papadomanolaki also known as Dalot for Igloo Magazine. Interlude focuses on female artists and aspires to highlight how exceptional, skillfully crafted and varied the responses can be. Interlude #1 :: Karen Vogt
Known for his prolific output and textural sensitivity, Baker delivers one of his most resonant and affecting works to date—a slow-burning, immersive experience that quietly commands attention.
The spiritual joy that the human voice, in whatever language this is, is very attractive. This is a mystical sound, I think it works really well in a mix of tracks, to shift context and take our constantly listening ears into a whole new direction using just the human voice.
The audio arts are a way of interpreting as well as creating many mysteries, beauty permits more exposure, honest expression can include healing and evoking difficult depths.
Breaking all rhythms into bite size morsels, machines, instruments, and vocal echoes are expertly chopped up.
Grunt’s constant metamorphosis might seem exhausting in theory, but a thoughtful listen will reveal the composition’s intricacies which keep this album endlessly entertaining and fascinating. […]
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