Experimental Electronic Music
In a way this album can be thought of as a collective mirror reflecting the sound prerogatives and choices of People Like Us and the many guest musicians involved as they wander through the library. From this fact people often infer that the library is infinite, because it sounds like they have used an infinite number of pieces to create this kaleidoscopic collection of musical associations.
A whirred world of kinetic scree slopes with synthetic colourings. ‘Tlön, Uqbar, Orbis Tertius’ (1962) is a Jorge Luis Borges parable, in which an article about […]
Overall, Crossings sees Chalmers depart from a somewhat unkempt bruitism characterizing other releases towards a more finished melodically-inclined model—a balance of timbres, particulate and nebulous, […]
