Experimental Electronic Music
Osmium is a feral collision of tribal, guttural, thrash, industrial, and grindcore elements—chaotic, hypnotic, and unrelenting. Featuring Hildur Guðnadóttir, Rully Shbara, James Ginzburg, and Sam Slater, it’s a global sonic ritual that feels like a Dionysian descent into madness. Fourth World music for the damned: raw, electrifying, and anything but safe.
What results is not merely sound but a howl—a raw, unfiltered transmission from the fault lines of civilization. Brutal, surreal, and resolutely unpolished, this is music as witness, as offering, as rupture.
Combining punk, metal, electronics, noise, and hard-edged industrial shenanigans with a core made of (molten) rock and mechanical sounds.
For a sophomore effort Indemnity And Oblivion reveals a creator working at his depth and strengths to bring forth something powerful, dark and ultimately revealing. […]
As the World Rots Away is a poison pen letter to optimists, written in guitar, electronics and percussion, cohesively rancorous but also beautifully varied and lucid […]
