Experimental Electronic Music
Mind Maps 7 stands as another richly rewarding chapter in an extraordinary body of electronic music—one that continues to push gently at the boundaries of ambient, downtempo and sample-based composition without ever losing its sense of warmth or wonder. Long may these maps continue to unfold, pointing listeners towards the kind of electronic music that still feels capable of surprising, transporting and quietly reshaping the landscape around it.
JOMO functions as a distributed remix field where no single version holds authority, only variation and return. It reads as a chapter drenched in lucid fragmentation, riotous repetition, and sophisticated uncontrolled mutation across 23 parallel expressions of the same hot saucy source — here is then an album that treats composition as infrastructure, continuously dismantled and rebuilt from within, on a label to adore.
Pace and pressure drive the core of cable.percussion’s third album—a collection where rhythmic structures stay tightly locked while numerous subtle shifts do the work of quiet madness and thrill.
Johnny McDowell’s cable.percussion delivers a vivid array of sculpted breakbeats and weathered braindance textures on Bleach, a six-track collection where glitch flickers at the periphery and emotional resonance surfaces from the very first moments.
Acroplastics pulses with euphoric breaks, deep basslines, and intricate electro architectures—tracks that feel as if they’ve been beamed in from the fringes of known space, unflinchingly embracing the luminous pulse of old-school acid, glitch experimentation, and widescreen melodic cascades.
