Experimental Electronic Music
More than just a stopgap to chew on while awaiting a new studio album, Future Transmissions stands as an absorbing compilation that perfectly showcases how the band sounds today, proving beyond doubt that it has definitely not lost its special touch.
With a brief look at some notables along the road, Chang Terhune’s Music Mondays aims to shed light on both new and old(er) music over a wide spectrum of sound (and vision). This week: Cabaret Voltaire.
Rather skeletal in nature, Polyrhythmic Electronica is mainly dialed in on the glitched out percussion from classic drum machines that sit comfortably atop squelchy synth bass tracks—best enjoyed on a night time drive through the city.
Unearthing digital gems from the past and giving them a well deserved vinyl pressing.
A much lesser-known name is Russian composer Arseny Avraamov (1884-1944), who was producing music just as radical and challenging to audiences, and to our ears, and 100 years ago today.
In this interview Chang Terhune spoke with Stephen Mallinder about many things like his latest album Tick Tick Tick (Dais), his past work, the passing of Richard H. Kirk, his current role as an educator, as well as the future of Cabaret Voltaire, and much, much more.
Mallinder puts the music firmly in the present while calling back to elements of the past and hopefully setting a course for more great music in the future.
Diggin’ into some past favorites. Gems, care of Martin Haringer of Das M and Gimmik fame alongside the cracking Toytronic, are unearthed with Gimmik now back releasing on n5MD/Hidden Reality.
