What follows constitutes, for want of time for exhaustive description, a representative sample of some of the year’s rich late harvest…
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Hollan Holmes :: Sacred Places (Spotted Peccary Music)
“Not too dense while remaining always complex and multifaceted, seemingly forever a powerful deep boom marks each cycle explosions and everlasting resistance that in the end sails away on the ocean never to return…”
QphoriQ :: Wonch like Woo (Diffuse Reality)
Wonch like Woo has speaker cones trembling from the needle drop. Employing elements of D&B, electro and even industrial, QphoniQ dowses his productions in low sub to produce a ruffled and textured effect.
Jaufenpass :: Cloud’s Eye (Shimmering Moods)
The album has a journey-like feeling, going from one place to the next, maybe as if crossing a mountain; the higher up, the less air and people, the music condenses, and towards the end, the more melodic aspects pick up again.
Igloo Magazine :: Best of 2023
After covering several hundred releases in 2023, many notables—including links to their respective Igloo reviews or release pages—are cataloged here. As usual, there are no winners or runners-up as the lists are alphabetized by artist and selected tracks are featured on our Soundcloud playlist.
Music Mondays 007 :: Mahmoud Ahmed
With a brief look at some notables along the road, Chang Terhune’s Music Mondays aims to shed light on both new and old(er) music over a wide spectrum of sound (and vision). This week, Mahmoud Ahmed—Ethiopian vocalist of Gurage descent born May 8, 1941 in the Mercato district of Addis Ababa.
