Each of the 3 installation titles is represented on the CD by a trilogy of tracks by different artists, each composing their work completely independently. The interesting thing that becomes evident as you listen is that the whole album is remarkably coherent, with the different approaches and interpretations of the concept sitting together surprisingly well. The other noticeable thread linking each track is the use of space and tone to provide a thought-provoking atmosphere to offer the listener scope for thought and interpretation of the artwork presented to them.
Beequeen start the journey with a slowly evolving work consisting of mechanical chimes and unsettling echoing tones while Humectant Interruption follows with a similarly styled work that utilises space and small islands of sound. Closing the Genometrics section of the CD is Illusion of Safety’s “Ground Two,” an atmospheric drone-based track that makes creative use of environmental and mechanical field recordings. Opening the second suite – Nucleo – is Aranos’ “Sign On” which is a lengthy track of grating computerised blips that are joined by an orchestral soundtrack-like backing. M Behrens’ contribution is again heavily atmospheric with dark undertones, utilising field recordings and chilling polar soundscapes to great effect. Concluding the Nucleo suite are the hollow drones and warning siren tones of Rapoon’s “Gal-fel.” Opening the final Infinitus suite is Asmus Tietchens’ “Teilmenge 24,” a track consisting of high-pitched computerised bleeps set against a gently undulating tonal backdrop. Scanner’s “Continuum” follows Tietchens with its gentle drones, pulsing bass and small atmospheric details. Concluding the Infinitus trilogy and the compilation is C Renou’s low-key drone-based work “Land of Confusion,” drawing to a close this collection of tracks in a gentle, if slightly uneasy, manner.
Although remarkably consistent as a collection of intense thought-provoking tracks in their own right, Norris has selected artists that either challenge the perception of sound or provide an environment conducive to open interpretation. As the soundtrack to an art installation the music contained in Tribryd: Installation Soundtracks is sure to take on an entirely new significance when presented alongside Norris’ artwork.
The first of TJ Norris’ art installations were presented in Portland, Oregon in the Fall of 2003.
Tribryd: Installation Soundtracks is OUT NOW on Beta-Lactam Ring Records.
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