Melisa Aller’s DESTRUKTION manifests as a hostile, future-ruined sonic environment where precision sound design becomes a vessel for aftermath, endurance, and the quiet violence of consequence.
Engineered ruin, fiercely alive
Palpable atonal grit underscores the designer soundscapes and desolate expressions coursing the veins of Melisa Aller’s DESTRUKTION. Vastness stretches further and farther across the density of an imagined wasteland, a terrain in which the four tracks ring out with the unease of a near-future landscape. This is music that appears to articulate the limitations imposed by inhumane human practices, not through protest or declaration, but through atmosphere and weight. It sounds like consequences. It sounds like aftermath.
The sense of scale is crucial. Space is not empty here; it is pressurized, loaded, and hostile. The sound design feels engineered yet feral, as though precision tools were abandoned mid-use and left to erode under irradiated skies. Each piece carries the tension of survival rather than motion, of endurance rather than escape.
“This is not music about collapse—it is collapse, still breathing.” ~Will Wonks
The final piece, the multi-funktionoid “12:21,” unfolds as a twenty-five-minute dalliance through Mad-Maxian time zones and sped-up broken architectures. It offers a distinctly visual experience: found trinkets, half-buried mechanisms, and the detritus of gone civilizations flashing past in fractured sequence. Low temperatures in arid hotspots on dark nights become a defining image, typifying the long walk required to attend to these slight yet discombobulating suites.
The intoxicating effect is exhilarating. I was left in need of a long drink of water, and perhaps some stored away for later, against imaginary ideas of impending Raptures. In this way, Aller has created an enduring and serious sensation: a work of compelling art that lingers, unsettles, and insists on being lived with rather than merely heard. It resists comfort, refuses nostalgia, and leaves behind a residue of unease that continues to hum long after the final tones dissolve into silence. By encoding entropic decay in such a tantalising fashion Aller‘ has created a very fine work of auralist art.
DESTRUKTION is available on Bandcamp.
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V/A :: The Eraserhead. Music Inspired by the Film of David Lynch (Unexplained Sounds Group)
Ossa :: Exit Language Translator (Schematic Music Co.)
