Vocals play a much more central role in this latest album, words woven through vivid analogue sounds.
I thoroughly enjoyed the first release by Hsilgne Nekorb Ni (aka HNN, aka Gregg Anthe) on La Forme Lente. Pièce Radiophonique confidently traversed styles. Synth Wave and heartbreak were countered with uplifting ambience, Industrial dereliction brightened by violin strings for a superb debut. Since then HNN have been less than active, since 2011 the one man band only managing a split 12” with Philippe Laurent for Electric Voice. Finally it’s time for a return, and a new album.
LÎle Nue is introduced by the title track. Vocals soar over cascading arpeggios, grandiose melodies and shimmering sounds. Clean chords and beats make up the synth rich “Tes Mots” before the bittersweet elegy of “Je Pars.” The LP is quite different to its predecessor, the DIY warmth of HNN’s debut being superseded by heightened production quality. The flip is introduced by the honeyed tones of “Un Temps Idéal,” sweetened synths coupled with emotion filled lyrics. A playful whimsy runs through the record, as in the 8-Bit inspired “Les Heures Faciles.” The LP closes with the soundtrack drama of “Ni Temporal (La Grande Ville.)” Soulful strings swoop as HNN bid farewell.
LÎle Nue maps an evolution in the Anthe’s sound. The LP is vastly different to Pièce Radiophonique, with rougher production edges being sanded down and refined. Vocals play a much more central role in this latest album, words woven through vivid analogue sounds. Comprehensive and compelling material from the Frenchman.
LÎle Nue is available on La Forme Lente.
