The first in a series of Crash Compilations, Co.Ad Audio is set out to “use machines to extract what’s in your head, instead of letting the machine use you.” And so is the case with the debut Crash Redevelopment CD. Undergoing abrupt damage in sound constructions, this compilation flexes its ingenuity at a caliber you might come to expect from labels like Skam (UK) and Schematic (USA) –using feelings of euphoria, depression and content to release a blanket of distorted electro onto the brain. It’s a rather unique approach for this budding Brooklyn, NY based label run by musicians with an ear for memorably abstract sounds.
At this time it’s probably best to expect the unexpected and to describe the sounds that Co.Ad classifies as a genre-less musical venture.
Kicking off with Datach’i’s ragged drill’n bass implosions on “-22,” this tune instantly sets you up for what is about to break down. Unit’s mysteriously crafted “Medicine Is Using (Maggots and Bats)” nurtures every layer of ambience next to syncopated melodies and finger-tapping beats until Velapene Screen’s “Classic Hair” eagerly runs its synaptic drum programming and video-game reflections deep into a tired melody. Up next is the funk-infested and beat-friendly punch of Bob Humid’s “Prediction;” a track that kicks its way around a distracted bassline with relative ease.
Just when you thought Datach’i was done, we’re invited to experience “-15;” Mechanically enhanced drums are welded to electronic burps and Aphex Twin styled tweaks while an enriched cello waves pleasantly in the background. Bob Humid’s “We Care Because They Won’t” relieves the tension with his classic jazz-influenced drum’n bass working on this 3-minute space flight. Töshöklabs’ own Nate Harrison (a.k.a. NKH) breathes life into a hypnotic mix of electrical twitches and watery rhythms on “Pointblank,” slowly leading into Unit’s epic manifestation on “Tidal.” On this excellent track, Unit entices the soft-hearted melodies of times past while lifting your spirits into a world of artificially crafted machines rich with emotions and thoughtful whispers. The rough-natured, Lexaunculpt’esque electro treatment on “Tidal” makes this track stand out the most. The closure on Crash Redevelopment called “Plastic Hamburger Hat” by Velapene Screen is thick with spatial interactions, wandering ambiences and energetic beats reminiscent of Arovane and Ulrich Schnauss output. Another classic in its own right.
Crash Redevelopment takes you into its dusty technological world of creatively abstract electronics and leaves you searching for more in the nimbus effect they’ve developed for you, the space cadet. 40 minutes later and you’re more than likely to hit the repeat button, we’re sure of that.
Crash Redevelopment is OUT NOW on Co.Ad Audio.
