A seemingly momentous stream of leftfield voices, clips, clicks and disjointed bursts of melodic moments are stripped to the bone only to be reincarnated into vaporous mechanical layers of bliss and noise.
A smattering of electronics fed through low end frequency tones, fellow Igloo Magazine contributor Charles R. Terhune (aka Cathode Ray Tub) drains every possible genre to its core. Post-industrial bits and bytes are crossed against soundtrack motifs, curious noise is broken up by synths and modular mayhem, elongated glitchy tentacles meander through evolved technoid spaces and eradicated rhythms echo within textured audio chambers. A seemingly momentous stream of leftfield voices, clips, clicks and disjointed bursts of melodic moments are stripped to the bone only to be reincarnated into vaporous mechanical layers of bliss and noise. This adventurous sonic passage is a definitive electronic music cross-section and as the artist describes, “Avoid direct observation. Absorb sound diagonally.” We could not have said this any better.
Welcome To Ghost Country is available Component.
