(02.01.05) The phrase that pops up at the end of the press release for Artridge’s debut record, Finished Soundtracks for Unshot Films, is “contemporary industrial […]

I, for one, have always imagined Armageddon to be a noisy affair — fires belching out of cracks in the earth, meteorites of supra-heated gas […]

After the widely acclaimed The Sounds Of Disaster End gives us this tiny mini-LP, 6 tracks split into 12 for reasons beyond my comprehension. If […]

(01.25.05) Mark One’s One Way is one of the first full length grime albums that has received a lot of attention outside the UK. Grime, […]

(01.21.05) From the initial opening crystalline shards of reversed pads and an angelic choir on “The Loss and the Finding” to the last droplets of ethereal […]

(01.21.05) The cover art of Plat’s new album Compulsion takes me to a time when some of us out there dug through endless amounts of […]

(01.19.05) Mousike Lab is a small Italian label run by the gents of Retina.it –Lino Monaco, Nucola Buono and Marco Messina — who collaborate in […]

(01.19.05) This one caught my ear. Glitchy, granulated, techno-ee bumps and jumps from Switzerland’s Spezial Material label. “DRO” starts the album out dubby and echoed […]

(01.17.05) Beequeen, the art child of Frans de Waard and Freek Kinkelaar, has evolved from its ambient-industrial drone roots into an acoustic microsound pop group, […]

(01.17.05) The Saboten, one of prolific producer Hoppy Kamiyama’s side projects, knows a thing or two about porn. Their self-titled record, The Saboten, is their […]