Electro meets Electronica for science fiction sculptures filled with analogue texture and depth. Over the past few years Emile Facey (aka Plant43) has built an […]
Recent Posts
ANGMOH :: Sampler Vol. 1
Beautiful electronic/folk/ambient work from such local heroes as Jilk, Cajita and Solarference, who blend and bend fantastic computer sonic manipulations with traditional vocals and instrumentation. AngMoh is a new […]
D’Marc Cantu & Breaker 1 2 :: First steps on Forbidden Planet
Canada’s Forbidden Planet is taking those first strides onto black plastic with some established and new-name talent. It’s a courageous endeavor to start up a new […]
Mark O’Leary & Erdem Helvacioğlu :: Istanbul (TIBprod. Italy)
A discreet, but colorful whole, a stream of consciousness both as concrete as a cobblestone and light as a breeze off the saline sea. If […]
Ruby My Dear :: Jelly EP (Blue Sub)
Spot on hardcore insanity for the educated anarcho punk junglist acid lovers with an awareness of the jazz heritage among us. The Jelly EP by […]
Roel Funcken :: Dreampty EP (Eat Concrete)
Dreampty is a satisfying array of audio speed bumps that doesn’t veer too far into leftfield and fits snug between the alluring dynamics of previous Funckarma […]
Displacer :: Curse of the Black Lotus EP (Crime League)
Three remixes—one of them by waveTangent—and two originals dip back and forth between rusty machines, faded oscillators and lively audio deconstruction. Michael Morton digs deep […]
MIKTEK :: Sounds and images
Mihalis Aikaterinis (aka Miktek) talks about Elsewhere, his first full length album on Lyon-based boutique record label, Ultimae. Read further to find out what Mihalis […]
Netherworld :: Alchemy of Ice (Glacial Movements)
Alchemy of Ice embodies a perfect aesthetic fusion between discreet micro-tonal melodiously articulated elements and macro-cosmical textural drone resonances. Glacial movements is a well established Italian […]
ANODIZE :: Tactile Visual Audio
Anodize prides itself on the artistic value inherent in the physical object, what it represents historically and literally to the aural and visual mediums simultaneously vanishing […]
















