(07.13.08) Flexx came to life in 2005. The label, and record store, set out with a clear mission; re-issue lost records, from disco and italo […]
Reviews
Cenotype :: Origins (Hive)
(07.10.08) A long-time supporter of the New York City industrial music scene, Lenny B – otherwise known as DJ Wintermute – finally releases his debut […]
Quantec :: Unusual Signals (Echocord)
(07.08.08) It’s been a busy 12 months for Sven Schienhammer – the artist currently known as Quantec, now riding the crest of something of a […]
Lull :: Like a Slow River (Glacial Movements)
(07.08.08) Mick (MJ) Harris, once known for a seemingly unlikely transmigration of the musical soul from death metal to isolationist ambient, is back, after a […]
Graham Philip D’Ancey :: The Sacred Project (Minimal Wave)
(07.08.08) From the depths of New York a new label has come to the surface. Minimal Wave is not like most electronic labels. It does […]
Philip Jeck :: Sand (Touch)
Turntablist Philip Jeck likes to boldly go beyond the vinyl frontier, though his music delights in the inbetween: in between sound art and music, aleatory […]
Rontronik :: Combined reviews (Töshöklabs)
(06.14.08) Töshöklabs was born in 1998, but seemed to experience existential difficulties, struggling to establish anything that could be called a catalogue, and eventually seeming […]
Portishead :: Third (Mercury)
(06.12.08) Portishead is long synonymous with trip-hop beats, the deep space notes of a Theremin, and the raspy wail of Beth Gibbons. It’s the perfect […]
Steve Peters + Brittle Stars :: combined reviews (Dragon’s Eye Recordings)
Steve Peters :: Filtered Light (Chamber Music 4) (CD-R) Brittle Stars / Yann Novak :: Long Distance Vol. 3 (CD-R 3″) (06.08.08) Explorer of acoustic […]
Solo Andata, Seaworthy, Taylor Deupree :: Live in Melbourne (12k)
(06.01.08) When these three acts convened last year at Northcote Social Club, Melbourne under the auspices of Room40 head honcho, Lawrence English, 12k curator Taylor […]
CoH :: Strings (Raster-Noton)
(05.31.08) Not being familiar with bulk of CoH’s existing oeuvre, Strings does not present itself as the stylistic departure it may appear to others. His […]

















