Four visions of fine mental and physical techno electro excursions; preserving the deep lineage, while exploring innovative territory.
Reviews
John Gregorius :: In Awe (Spotted Peccary Music)
The sonic worlds that Gregorius has created in his imagination are enchanted, not by magic or fantasy, but by an even more startling truth that ultimately cannot easily be put into words—the universe is a love note from God.
Aelk Minsur :: Everything is a Nail (Self Released)
Dilapidated soundscapes, broken beats, peculiar conversations, funky shapeshifting, and crunch-hop elements collide in these brisk moments cut with a diamond blade into 18 pieces.
Bill Seaman & Stephen Spera :: Architectures Of Light (Handstitched*)
Imagination stirred by sound, never obvious about sources or content and full of almost missing endless details.
Merrin Karras :: Silent Planet (A Strangely Isolated Place)
The joy of hearing Side A fade out, walking over to the turntable, flipping the record to Side B and dropping the needle again to hear the clang of a gong that starts things up again. It’s a gift to play a part in an album’s forward motion.
The Follower :: Waiting, Occurrence, Dissolve (Concrete Collage)
There are peaks and valleys on Waiting, Occurrence, Dissolve that reward the listener with left-field sound mangling from the outer edges that continue to unfold with each listen.
Werra Foxma :: Double vision — Morgen Wurde & Tis / autumna
Since inception in 2020 Edinburgh’s Werra Foxma Records has quietly gone about curating some fine electronic music, with two of its more recent offerings from Morgen Wurde & Tis and autumna getting an igloo ‘view.
Supercoastal :: Blue Noise (Self Released)
Where blissful rhythms blurred by technoid fissures and brightly polished melodies flourish, one can easily slip into these cool, springtime sonic branches.