Easychord encourages us to listen closely to the slowly swirling eddies he stirs up, to understand what we hear, our own private interpretation of the […]
Author: Stephen Fruitman
Diskrepant :: Through an Odious Framework (Attenuation Circuit)
Active as Diskrepant since 1997, he uses vinyl static, analogue systems, concrete sounds and field recordings and all the gadgets with which to forge them […]
Oorutaichi :: Cosmic Coco, Singing for a Billion Imu’s Hearty Pi (Out One Disc)
Oorutaichi has created his own personal creole (named after himself) in which he sings his songs, and he has poured a can of 7-Up onto […]
RAPOON 3VIEW :: Stray, Disappeared Redux & Time-Loop Anomalies (Soleilmoon, Zoharum)
Rapoon’s uchronia is an alternate, eerie and hermetic version of our world whose time period, cults and politics are similar to but not quite our […]
Amalgamated :: Spark I (Intangible Cat)
Amalgamated’s method is telegraphed by its name: improvise, then “finess,” edit all the elements into comprehensive textures. In essence, the result of regular get-togethers by […]
Ireneusz Socha :: Polin (Mathka)
The juxtaposition of growling electronics with light radio orchestra entertainment, a romantic harp and accordion duet with glitched piano notes, a little noise and a […]
ROM :: Foot Signal (Pingipung)
Foot Signal is as wonky as South Beach culture—a cross between pastel-coloured, ear-pleasing tunefulness and ludicrous displays of wealth. Of ideas, especially about beats. [Release […]
Alio Die :: Deconsecrated and Pure (Projekt)
Despite all these layers, the tone is light as air and the air is illuminated with dazzling rays of light. The pleasant cadences that caress […]
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