Dublab is a kind of beat music super-posse, a non-profit encouraging “positive” and gloriously unclassified music, art and culture. There are so many inviting digital quays […]
Author: Stephen Fruitman
Fescal :: Two Winter Poems (Dronarivm)
Simply stunning, Fescal’s miniatures raise maximum goosebumps. South Korean multimedia artist Fescal has been inspired by two poems by Alexander Pushkin in the creation of […]
Sima Kim & Tim Bass :: Double review (Twice Removed)
To two small but always dependable, softspoken Australian labels (Hidden Shoal and Preservation) was added a third at the very end of 2011—Twice Removed. To […]
Michael Trommer :: HTO (3LEAVES)
Toronto’s waterfront is extensive and varied and has undergone profound change, some of which has impacted this liminal region positively, some not so much. Michael […]
Zilverhill :: Laodoicean (Adept Sound/Blind Shouter)
A sacral-industrial passage suggests some creepy cathedral attached to a munitions factory. In the end, something wounded limps away, dragging its heavy tail in the […]
AIDAN BAKER :: Multi-view
Aidan Baker‘s doom ambient duo Nadja with fellow Torontonian, bassist Leah Buckareff has long been a successful going concern, but his solo discography was already […]
Alejandro Franov :: Champaqui (Panai)
Champaqui is very organic music, there’s always something chirping, twittering, sweating, slithering and stirring in the background, with a very human presence The little Japanese label Panai […]
Casi Cada Minuto :: In White Rooms (Exitab)
Casi Cada Minuto is a collection of ambient miniatures not unlike the instrumental tracks on Brian Eno’s Another Green World, evocative of pacific dreams on the […]
Moon Ate the Dark :: Moon Ate the Dark (Sonic Pieces)
Carter’s pieces tend to be almost mathematically simple, elegantly building stories out of polygons of repetitive melody, and Bailey leaves his impression on them as […]
Osmiroid :: Dromstbles (Self-Released)
As sound, it is disfunctioning machine whirr and radio-wave disfrequency traveling through non-place urban realms, but it plays out as meticulously composed and dramatically narrative […]
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