Comforting, dramatic, and all aquiver, The Bridge Between Life and Death has the pacing and variety of a matinée for the whole family, bound by […]
Author: Stephen Fruitman
Free Babyronia :: Matrix Grooves (AUN Mute / Kaico)
Matrix Grooves is rhythmic dub cubism, its strangeness strangely compelling. Free Babyronia (Rodriguez Yukio, from Nagoya by way of Lima) chisels a dark, outlier techno out […]
AOKI Takamasa :: RV8 (Raster-Noton)
It is simplicity as virtuosity, minimalism whittled with the knife-edge exactitude of a Giacometti figurine. Eight flint-edged “rhythm variations” by Osaka-based AOKI Takamasa, bitumen slick […]
Maxmillion Dunbar :: House of Woo (Rvng Intl)
House of Woo is a counter swoosh to big-box house music, handmade and unbrandable, a curve-ball from left-field thrown with muscle. House of Woo is […]
Porya Hatami :: The Waning Branches (Wistrec)
Hatami coaxes the seed out of its pod, through the soil and into harsh sunlight before a moment of silence preceeds a drawn-out keen to […]
These Feathers Have Plumes :: Untitled (Sheepscar Light Industrial)
These two fleeting moments (just over seven and just under nine minutes, respectively) may well be the most beautiful recordings of the year and will […]
Fossil Aerosol Mining Project :: Multi-review (Afterdays Media)
FAMP is first and foremost subtle, superior ambient music, its soft fluorocarbon texture the perfect backdrop for its liberal toying with vocal samples. Wouldn’t you […]
Fescal :: Ideas of Noise (Lona)
Ideas of Noise entices the listener to lean in to his rough-hewn creations, beyond the fuzzy grit and static, allowing an image or feeling form […]