Ambient microsound combines with electronics to support a complete listening experience taking in and combining elements and views.
Author: Robin B. James
Flavia Massimo :: Glitch (Audiobulb)
What I like best about this album is that the stories told are all about texture and emotion, sometimes dark and powerful, sometimes delicate yet commanding…
Howard Givens & Madhavi Devi :: The Celestial Expanse (Spotted Peccary)
Seamlessly morphing from live studio recording techniques to multi-instrument choreography, including modular and analog synths, digital synths, samples, and acoustic elements, Howard Givens and Madhavi Devi explore a mindful relationship with music, spiritual practice, and the self-healing arts.
James N Murray :: An Emerald Necklace (Dragon’s Eye)
Hidden complex beats, electronically restless, constantly shimmering about. The percussion pushes the whole thing just under the repeating melodies.
Kenneth James Gibson :: Groundskeeping (Meadows Heavy Recorders)
The grounds are vast and somber, the groundskeeper has unlimited access to the universe of the night, rich keyboard-string intonations, slow dark moods, atmospheric with rare moments…
Yenting Hsu :: Flash 須臾 (Ash International)
Sound, music, and glass exist as art forms of time. In this album, sound materials from samples of glass sounds are accompanied with field recordings, […]
Emba / The New Honey Shade :: Cinq / NEXUS (Handstiched*)
There is a contrast between these styles, you can isolate them or you can blend them, or neither. Each of these two artists makes interesting sounds that convey essences, emotions and new ideas, in very different ways.
Steve Peters :: With My Back to the World (Self Released)
Ambient, gentle, and dreamy instrumental compositions commissioned for the original soundtrack to Agnes Martin: With My Back to the World, a documentary about the iconic abstract painter (1912-2004)…