Pete Marshall | Igloo Magazine

Author: Pete Marshall

Nebulo :: Castles (Hymen)

Reviews 11/27/2013 by Pete Marshall

By layering a vast array of morphed synths and samples on top of a skeleton of unassuming beats, Nebulo creates a lonely sort of electronic […]

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Aria Rostami :: Form (Audiobulb)

Reviews 06/30/2013 by Pete Marshall

Expansive synth pads are brought to bear on catchy looped piano melodies conducive to the sort of nostalgic meditation perhaps most famously associated with Boards […]

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Sqaramouche :: Belly Love pt. 1-3 EP (nonine)

Reviews 06/17/2013 by Pete Marshall

Sqaramouche have fused Jazz and Latin’s primal feel with the dark, oppressive atmosphere of contemporary self-conscious electronica—the jungle and the city collide, and it makes […]

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VNDL :: Gahrena: Structures (Hymen)

Reviews 06/14/2013 by Pete Marshall

VNDL doesn’t just randomly place various sounds in a concatenation of noise; rather, sounds are matched in virtue of their textural rather than tonal harmony; […]

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Troubled Minds Cabin Crew :: Songs For The Animals (Bedroom Research)

Reviews 06/04/2013 by Pete Marshall

A trip down memory lane, Digi G’Alessio’s (aka Troubled Minds Cabin Crew) new release, Songs For The Animals, revisits the sounds of early electronic music—the […]

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Clark :: Iradelphic Sessions (Self-Released)

Reviews 05/20/2013 by Pete Marshall

Layered feedback, looped vocal samples, soft rhythms, acoustic instrumentation, and full spectrum pad-work are all loosely sewn together into a beautiful patchwork of disparate and […]

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WISP :: Music over status

Profiles 04/16/2013 by Pete Marshall

Wisp belongs to that rare group who genuinely prioritize music over status, identifiable, ironically, by their failure to boast about any such preference. And whilst this […]

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MUJUICE :: Elements of unpredictability

Profiles 04/12/2013 by Pete Marshall

Mujuice has managed to replicate his studio electronics whilst incorporating an element of unpredictability and improvisation more often associated with live bands. RUSSIA is perhaps […]

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