As a consequence of being not quite hauntological, not quite classical or ballroom, not quite identifiably anything, An Empty Bliss Beyond This World is such […]
Author: James Knapman
Donato Wharton :: A White Rainbow Spanning The Dark (Serein)
A White Rainbow Spanning The Dark describes vast open spaces and seemingly endless vistas, but always viewed at long distance within safe, isolated or enclosed […]
Miasmah :: 3View 2011.7
There aren’t a great many independent record labels that have successfully released music as willfully weird and wonderful as Erik Skodvin’s Miasmah Recordings, which continues […]
130701 :: 3View 2011.6
The last thing one would expect from a label with a name like 130701 is a catalog of primarily of post-classical and orchestral works, but […]
Risk Risk :: This Is 1983 (Astro Chicken)
At the core of it all This Is 1983 is a riotously fun listen and while it’s possible to simply take it at face value, […]
Colorlist :: The Fastest Way To Become The Ocean (Serein)
First up in the Seasons series are Colorlist, a crossover jazz duo from Chicago comprised of multi-instrumentalists (an oft-dreaded moniker and no mistake) Charles Rumback […]
Rene Hell :: The Terminal Symphony / The Hilton (Type)
The Terminal Symphony has skipped to a completely different decade to assimilate data as a reference base for its sound palette, exhibiting an obsessively rigorous […]
Gareth Davis & Machinefabriek :: Grower (Sonic Pieces)
A more apt and straightforward title for this album there literally could never be, the musical chemistry between Zudyervelt and Davis resulting in an incredibly […]
Undermathic :: 10:10PM (Tympanik Audio)
Undermathic has crafted something in 10:10PM that is naturally compelling, intense and narrative without being demanding or exhausting, the ever-changing pacing and mood handled with […]
36 :: Cocoon/Saphron (3six)
Melding Biosphere’s moody ambiance and Bvdub’s vaporous textures together with often old-school ambient forms, Helios/Goldmund melodic figures, processed guitar and field recordings, 36 has marked […]










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