Dettmann conducts his brute orchestra of kick-pulse, synth-stab and bass-throb with predictable pazazz, choreographing anthemic and abstruse, antiques and curios, deriving gains from playing tradition […]
Author: Alan Lockett
Chihei Hatakeyama :: Mirror (Room40)
Chihei achieves a felicitous juxtaposition of analogue sound sources, digital processing and musicianly sensibility, imbuing Mirror, for all its floaty-drifty hyper-ethereality, with a certain satisfying […]
Scott Solter :: One River (Hidden Shoal)
A lulling affair of quiet majesty, at once glacial and warm, with a hymnal swell-relent dynamic, One River relaxes without being anodyne, retaining attention through […]
Pascal Savy :: Liminal (FeedbackLoop)
Liminal is an epithet normally associated with the avant end of electronic experimentalism, like the lowercase abstractions of Steve Roden or the near-silent studies of […]
Dagshenma :: Zaumi (Electroton)
Those that feel they might fancy a fractured stopover far east of, say, Schematic, or maybe Chocolate Industries, be warned, as, like some hyper J-pop […]
Dragon’s Eye :: 3View 2011.10
A trio of recordings from Dragon’s Eye that maintains the reputation of Yann Novak’s minimal electronica and sound art house for covering all points north […]
ALAN LOCKETT :: End Summerless Mix
Conspiring with fellow-travellers in ambient-drone and atmospheric electronica, Alan Lockett, Igloo Contributing Editor (aka albient for mixage and audio-scrawl), compiles a document of days. [September […]
Ebertbrothers :: Susten Pass (Mindwaves Music)
Susten Pass is a first release that floats free from visual support, evidencing a broad range of textures and architectures; serpentine synths coil and uncoil […]