Downbeat grooves tread over upbeat rhythms, shadows lurk in broad daylight, and all that can be seen in the distance is a faint reminder that […]
Author: igloomag
Five questions for Psychonavigation
Igloo Magazine sat down with Keith Downey, label owner and operator of the now decade young Psychonavigation Records outfit to discuss, via hyperspace, a few […]
ME RAABENSTEIN :: Grey Sky igloomag mix (Nonine)
Filled with saccharine audio bytes, exploratory electrical data, subdued jazz and a tendency to lean on the classic, eccentric side of ambience, this sixty-minute mix […]
Infinite Scale :: Ekko Location (Ecoshock)
A dosage of spacious bass lines, technoid beats, baby-mobile anthems, mystery-theater themes, complex digital fractals and a calm that could only come from the heart leaves Ekko Location in its own stratosphere.
DNN :: When Things Stop To Move (Halbsicht)
Brushing elements of sheer emotion with bass-trodden rhythms, an overarching theme prevails within these polished tracks. Evolved cloud structures form eerie pulses of percussive beauty; […]
Music AutOmatiK :: Message From Mars (Ominim)
Like bundles of loose gravel intermixed with bubbling instruments, this three-quarter hour long sojourn exudes simplistic, upbeat micro-symphonies. Reminiscent of Sending Orbs‘ graphic art, and […]
Ex_Tension :: Freedom (Signifier)
Not content with the usual, run-of-the-mill post-industrial name tag, Ex_Tension compresses all angles of drone, industrial, atmospheric and noise to produce a classic sound that […]
y0t0 :: “They Mostly Come At Night” video (Facture)
Uriarra Road by y0t0 is a Russian novel of Australian rural decay; 14 tracks of densely layered processed guitar, crowd melody, rain noise, electronic manipulation […]
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