With each new release Randy is able to create distinctive sounds that defy genre norms. Ojo his first solo release in six years is no exception to this—featuring drastic variations stylistically from track to track.
Meditation on ancestry, philosophy, and the East
Atlanta based multidisciplinary artist Randy Garcia (aka R_Garcia) has been heavily involved with the underground electronic music scene since the late 90’s, releasing music on Lacedmilk Technologies, Polyvibe Recs, Kikapu Netlabel, and his own imprint Nophi Recordings. With each new release Randy is able to create distinctive sounds that defy genre norms. Ojo his first solo release in six years is no exception to this—featuring drastic variations stylistically from track to track.
The opener “Onan” contains many unexpected twists as Randy seamlessly shifts from hip-hop, to reggaeton style dance rhythms, to bossa nova, staying true to his latin roots. Vocal contributions from the likes of Ashesndreams and M!ro bring the song to new heights, showcasing a great deal of finesse to marry such contrasting styles together. The following track, “Hai” harnesses the same type of influences but with a razor sharp edge—utilizing massive drum breaks, off-kilter Rhodes piano and cunning sample manipulation. A suitable segue way into the title track, “Drona” (Spanish for drone) is exactly that—a textural drone piece with the smooth vocal infusions of Andrea Krux, blended into a dense mix of harmonic tones. “Ojo” brings the best of all these worldly influences together with utmost coherence—emphasizing the traditional the Middle Eastern sounds of the tabla and sitar. The final offering “Asheghetam” is a slower, more introspective number, displaying subtle intricacies within the glitchy drum edits.
A proclaimed “Meditation on ancestry, philosophy, and the East“—Ojo thoroughly fits that depiction. No song wears out its welcome here and is a very focused effort from the onset. R_Garcia has always had an aptitude for creating quality productions while also retaining a tongue-in-cheek approach—never taking himself too seriously—and just doing what feels right.