Experimental Electronic Music
With DUB da Beat, a self-released four-track EP available through Bandcamp, Walker returns to a sound that feels both deeply rooted in his history and wonderfully untouched by time. Massive basslines rumble beneath a haze of dubwise echoes, warped acid squelches, and fractured rhythms, creating a woozy, late-night atmosphere that rewards sinking into rather than simply listening to.
A disorienting, sometimes brutal experience that demanded we surrender to the music, accepting the limits of our own bodies and senses, resulting in a concert that fully lived up to Autechre’s glorious reputation. Article by: Christopher Mathieu and Georges White
What began as speculation over a possible new Boards of Canada release evolved into a meditation on how their rare and mysterious presence awakens a profound collective longing for beauty, unity, and transcendence in an increasingly fragmented world.
After 13 years of silence, Boards of Canada returned not simply with new music, but with a surreal, memory-soaked communion at Barnsdall Gallery Theatre where every fading ray of sunset, whispering pine, analog pulse, and hushed breath among 300 devoted listeners made Inferno feel less like an album preview and more like a long-lost transmission finally reaching home.
Boards of Canada return in unmistakable form, diving deep into the shadowy downtempo atmosphere that made them legendary — a hypnotic state of consciousness suspended between nostalgia, decay, and dreamlike transmission. “Introit” and “Prophecy At 1420 MHz” are the first two tracks unveiled from the forthcoming album Inferno, arriving May 29, 2026 on Warp Records.
If Tomorrow’s Harvest was the collapse of the physical world, Inferno is the processing of the digital soul. We have moved from a famine of the body to a harvest of the mind.
Boards of Canada today announce Inferno, their first full-length release in thirteen years, marking a significant return for the influential Scottish electronic duo. This forthcoming record expands their unmistakable sonic identity, introducing a darker, more intricately layered atmosphere that refracts their hallmark sense of warped nostalgia through a more shadowed lens.
Boards of Canada didn’t just shape how we hear music — they reshaped how we experience reality, and Geogaddi remains their most unsettling proof: a deliberately disorienting, symbol-laced descent where warmth masks dread and mystery is the message.
Immediately recognizable to seasoned IDM ears, the DC-based artist returns in peak form—channeling classic ambient electronica with crisp, hypnotic precision, where disciplined rhythm, luminous detail, and technoid grace converge on Chisei as a confident statement of enduring craft.
Aurelume unfolds as Simon Pyke’s eleven-track meditation on soft bleep and tone, where hazy melodies, drifting pulses, and restrained rhythm coalesce into a soothing, dreamlike statement poised between IDM and abstract ambient calm.
Autechre’s journey from their early, beautiful electronica to their later, mind-bending, experimental sound is a marathon of brilliance and confusion, where diamonds still emerge from the chaos but only after sifting through some of the most bewildering, abstract music ever created.
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