Boards of Canada didn’t just shape how we hear music — they reshaped how we experience reality, and Geogaddi remains their most unsettling proof: a deliberately disorienting, symbol-laced descent where warmth masks dread and mystery is the message.
Tag: Skam
While :: Chisei (Neo Ouija) — [concise]
Immediately recognizable to seasoned IDM ears, the DC-based artist returns in peak form—channeling classic ambient electronica with crisp, hypnotic precision, where disciplined rhythm, luminous detail, and technoid grace converge on Chisei as a confident statement of enduring craft.
Simon Pyke :: Aurelume (Self Released) — [concise]
Aurelume unfolds as Simon Pyke’s eleven-track meditation on soft bleep and tone, where hazy melodies, drifting pulses, and restrained rhythm coalesce into a soothing, dreamlike statement poised between IDM and abstract ambient calm.
A Deep Dive into Autechre :: From Early Brilliance to Late-Period Noise—A Journey Through Their Evolution
Autechre’s journey from their early, beautiful electronica to their later, mind-bending, experimental sound is a marathon of brilliance and confusion, where diamonds still emerge from the chaos but only after sifting through some of the most bewildering, abstract music ever created.
Simon Pyke :: Prelume EP (Self Released) — [concise]
Simon Pyle (aka Freeform) delivers three luminous tracks that flow between precise techno, ambient drift, and shimmering electronica. Each piece balances intricate detail with calming IDM textures, showcasing his enduring mastery.
Wevie Stonder :: Sure Beats Living (Skam)
From carpet tiles to call center lines to Bulgarian bee barters—an uncanny symphony of sounds, woven seamlessly into one surreal tapestry.
Boards of Canada :: Music Has The Right To Children (Warp/Skam) — [flashback]
Boards of Canada’s Music Has the Right to Children stands as a quintessential cornerstone of downtempo electronic music—a seminal release that propelled the enigmatic duo of Mike Sandison and Marcus Eoin into a boundless realm of nostalgic reverie. In this edition of our “Flashback” column, Anne Jackson revisits the album’s haunting landscapes, with particular focus on “Telephasic Workshop,” a track that encapsulates a paradoxical beauty: at once claustrophobic and transcendent in its sonic intricacy.
Russell Haswell :: Never stop
Russell Haswell is a 55-year old electronic musician and visual artist, most well-known for his extreme computer music. He currently lives in Glasgow, having worked together with Aphex Twin, Florian Hecker, Merzbow, Mika Vainio, Yasunao Tone and Peter Rehberg and released on labels such as Warp, Editions Mego, and Diagonal.
Mantle of Gets :: Repr.pn Store (10-17) (Uchelfa)
These gentle, brief, and succinct soundscapes are resonant and melodious as they drift and cascade, enabling Mantle of Gets to deliver a relaxing piano-focused album that simply soothes the senses.
Simon Pyke / Freeform :: Four Flex One EP (Self Released)
All in all, calming ambient techno mosaics and expertly crafted soundscapes flourish within Four Flex One. Simply captivating.
Recent Posts
Dr. Nojoke :: Cliknopium I EP (CLIKNO)
Abul Mogard :: In a Few Places Along the River (Soft Echoes)
Chris Russell :: Lumen (Spotted Peccary Music)
Boards of Canada :: Geogaddi (Warp) —24 years later
V/A :: Insects (Dustopian Frequencies)
Francesco Fabris :: DISPLACES (Bedroom Community)
Spednar / eczem :: .XOR / TXX (Tarantella)
The Horn :: Troglodyte Tracks (Self Released)
