Experimental Electronic Music
Arrowounds delivers the music, magic and mystery, solidifying the esoteric energies emanated from the underworld into the medium of this album. It’s a perfect soundtrack for getting lost in the labyrinthine depths waiting to be discovered beneath the surface of everyday Ohio and Kentucky.
The year 2000 saw Aarktica’s debut bring post-rock perspective and a glacial sensibility to guitar-based ambient; Jon DeRosa enveloped us in ‘a new sonic world of haunting, aquatic darkness and shimmering tonal light.’ Its 25th anniversary sees a reissue, No Solace In Sleep [2025 Remaster], shed new light on this by now classic, reaffirming its enduring resonance.
With Robert Galbraith’s decisive programming and the ever ethereal whispering vocals of Elizabeth Virosa they leap forward with an intense and unrelenting album.
The second coming of Vague Lanes (aka Mike Cadoo and Badger McInnes) comes as a moody, dark, and also insanely catchy collection of darkwave tunes. The group nails the one thing I always appreciate when listening to music: the foundations. If your grooves aren’t solid, there’s a good chance the music is going to fall flat.
Twin Color (vol. I), with its recontextualization of analog synthesis with post-digital methodologies, its creation of a sound at once nostalgic and future-based, bears eloquent testimony to Murcof’s continued innovation in the electronic sphere.
The music of The Synthetic Form belies a humanity in its inception that gives it a timeless, powerful sound.
Christian Kleine’s tenth album is a pleasant departure from the standard; deftly showcasing electronics of the late nineties and immersing them in an emotional and sonic instrumental stew.
I hope you’re free from pain, now and forever Dear Ian, We never met and probably never would’ve. Nevertheless you made a huge impact on […]
From abstract industrial noise-scapes to modular and synthesized fluctuations, Imbued Vagary maintain focus on each of their unusually perceptive pieces.
