Standalone release of Alva Noto’s score to This Stolen Country of Mine, Marc Wiese’s award-winning film which explores the issue of state sovereignty in the face of predatory foreign power.
Tag: Post-digital
Marsen Jules :: Herbstlaub [2022 Remaster] (Keplar)
At a distance of nearly two decades, Herbstlaub resonates with the same melancholy magic, a-fizz with fertile experimentation with the tropes of two musical modes once thought incongruent via shiny new tools, ending up transcending its conceptual start-point.
Fennesz’s Gold Medley
This Viennese slice explores possible worlds contained within computer and guitar, vast reverberant spaces, textural simulacra of the elemental metastasizing through the sound field to immersive […]
Yann Novak :: The Future is a Forward Escape Into the Past (Touch)
“Taking from drone, musique concrète, found sound and electroacoustic music, the Dragon’s Eye man’s recorded fields are laptopped and trailed into sonorous stases that seem […]
Belong :: October Language (Spectrum Spools)
9 years on, Spectrum Spools presents a pristine vinyl cut with reimagined album art, physical copies including a download card and three rare tracks from […]
David Fyans’ Somnambulist’s Field Guide
Breaking from Broken20, news of an impending audiovisual release from David Fyans, man behind the label’s design aesthetic. ‘Sound has always been an integral part of ritual. […]
Robert Crouch, Darren McClure, Miguel Isaza :: 3View (Dragon’s Eye)
2015 sees the 10th year of operations of bespoke LA-based sound art and drone label, Dragon’s Eye. A trio of birthday treats from Robert Crouch, Darren […]
Frank Bretschneider + Steve Roden :: Suite Nuit (Line)
This space is the place for parallel trajectories of time and shape, inciding on perception of space and space for perception. Frank Bretschneider and Steve Roden strike as […]