Throughout When Light’s Drillin’ The Haze is an ambient simmer that keeps its revolving doors in motion from start to end. Fragments of chiseled bass, broken synthesizers, deformed […]
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Audiokonstrukte :: City Echoes (Fürni)
An ear-pleasing array of synthetic pads and washes, bleeps and wibbles consort with sprightly beats and kinetic bass motifs, the production finely tooled for clarity […]
Fabrics :: Fabrics (From A Tree)
Resonating percussion/bass and a low-dosage of melodic slivers, each (literal and figurative) texture is painstaking crafted with just enough rough edges and polished bleeps to keep […]
STATION :: s/t (Station Sound)
Definitively surreal and devoid of a conclusion, STATION is a bewildering collection of silky ambience transmitting a fluid kaleidoscope of colors and undulating waves upon […]
Subheim :: No Land Called Home (Ad Noiseam)
Bass lines at center stage, NLCH is a masterpiece of tumultuous electronics and penetrating rhythms meant more for midnight desert gatherings or full theater engagements […]
Abdulla Rashim :: Gizaw (ARR)
The downside for this enterprising self releaser is that there is such a spread of similar sounds out there already. Then again, Abdulla Rashim could […]
The Caretaker :: An Empty Bliss This World (History Always Favours The Winners)
As a consequence of being not quite hauntological, not quite classical or ballroom, not quite identifiably anything, An Empty Bliss Beyond This World is such […]
Somnambulist & Secret Life :: Walhalla (Double review)
Somnambulist uses analogue sounds to produce dark scapes that are pulled deeper into a belly of angst through wrenching vocals. Secret Life offer an early […]
John Heckle :: Extrovert/Introvert (Tabernacle)
There can always be a bit of trepidation when it comes to young producers, a fear they might start throwing all sorts into the mix. […]
V/A :: The Definition Of Jak – The Definition Of Hope (Lux Rec)
The Definition of Jak – The Definition of Hope is a perfect introduction into the dark and sepulchral world of Jak, taking the listener by […]
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