Blomma defies the idea of recycling, rehearsing and planning ahead, and offers two voyages without a destination to the outside of reality, two improvised streams […]
Recent Posts
PETE NAMLOOK :: Tribute Release
News has emerged lately to lighten the heavy hearts of Pete Namlook fans and FAX-ophiles alike. For the uninitiated, Namlook (Peter Kuhlmann) had a major […]
Kitchen & The Plastic Spoons / Belaboris :: Double review (Dark Entries)
This archaeological imprint has once again dived into the past only to resurface with a spread of obscure female outfits from across the world. Dark […]
Northcape :: Exploration and Ascent (Sun Sea Sky)
Northcape raised his sights beyond the realm of cultural plundering so there are no Tibetan/Nepalese samples or “world music” modal influences in evidence. Instead, the […]
Greg Haines :: Where We Were (Denovali)
No commercial potential. Where We Were is raw and impulsive rather than polished, calculated and forced; erratic rather than predictable, and it reveals its allure […]
Svarte Greiner :: Black Tie (Miasmah)
Black Tie is a real return to form for the Miasmah label and continues the Svarte Greiner saga with two extended tracks of chilling, contemporary […]
Tay0 :: Possible Futures EP (Nophi)
Tay0’s sound is one filled with erratic yet consistent elements of exp-electronics that must be examined over repeat listens for full absorption. Fans of early […]
Aksutique :: Notch Fields (diametric.)
Rather than pander to the “dub” crowd, this EP takes what has become quite a saturated genre and elevates it with ambient subtlety and a […]
BALMORHEA :: Pyrakantha (Official video)
Shot at twilight over the course of 42 days, Colin Kennedy’s video for “Pyrakantha” by Balmorhea follows skater Danny Garcia through the streets of LA […]
Strom Noir :: Standing Out Against the Sea (DataObscura)
Strom Noir’s ambient is amongst the most subtle on record, distant and place-less but richly varied and embrasive. Emil Mat’ko has been releasing music at […]
Hans Nieswandt :: Hildegard Knef – Remixed 12 Versions (Bureau B)
Knef has a dark, occasionally faltering voice, but that doesn’t prevent it from bopping along to pop as innocent as a daytime TV margarine commercial […]
















