Perhaps I was wrong about Berlin and survival of the fittest. New and exciting imprints, like Wilson’s, are flourishing. Maybe “THE capital” has enough shelve […]
Recent Posts
Igloo Magazine :: Best of 2015
So here it is—from ambient drone to post-rock, jazz and modern classical, from IDM to experimental to post-digital microsound; hallucinatory electronics to experimental soundscapery, candy-color […]
Jonathan Kawchuk :: North (Eilean Rec.)
North is true, a subtle combination of acoustic and electronic instruments, skeletal and essential—no more than what you need to make it through. A brief collection […]
Savage Grounds :: Unpleasant Music for Unpleasant People (Lux Rec)
The style of techno that Savage Grounds are exploring isn’t the conventional type. Their form adopts the underproduction of Chicago house, the bursting rage of […]
Born in a less than likely place :: Vielspaß
Born out of basement space, described by Prioux as a “bargain underground club,” underneath the DMA Vielspaß has all the attributes of an arts college […]
Lunar Abyss & Uhushuhu :: Double review (Zhelezobeton)
Double review for Lunar Abyss and Uhushuhu. Aikana Uni by Lunar Abyss Lunar Abyss :: Aikana Uni (Zhelezobeton) A forest, boisterously Amazonian, at night, on a […]
Kraftjerkz :: Kid Ginseng, Lexander James, Newmonics
Styles are mixed and matched. New with old. Classic with experimental. There’s a touch of vintage shop chic to the whole endeavor. Kraftjerkz isn’t a […]
Charlton :: Forgotten (Mord)
Raw and raging, Forgotten is a red throated roar. Teeth gritted, eyes clamped and fingernails in palms from the Berlin resident. Charlton is the nom […]
Stefan Christoff & Nick Schofield :: Rêves Sonores à Montréal (Howl! Arts)
A thoughtful sonic map of moments in the city, each just two, three, four minutes long. Over many decades, Montréal has gone from being a provincial […]
Drvg Cvltvre :: The Right Knife In The Right Back (Poverty Is Violence)
The EP is very drum focused and other sounds are reined in by either percussion or static. But on several listens the subtlety is laid […]
Chris Weeks :: Trip (Odd John) / The Cloud (Self-Released)
Weeks has pursued a predilection for exploration of the floating and psychic vibrations of space-scapes, tranches of droning chord continua and brooding bass frequencies dwelt on, when […]
















