MIDGE URE :: Citadel Arts Centre, St. Helens UK (08.28.09)

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(September 2009) THE acoustic environment always presents an alternative and challenging format
in which to see a musician’s work stripped bare of its more substantial
electronic components
. Tonight is no different. The skill lies in the ability
to inject additional life into a body of work that’s long been noted for
maintaining a tremendous strength in character during it’s previous incarnation.
Fresh from the recent Return to Eden tour with synth maestros Ultravox, Midge
Ure gets set to expose some of his finest material as he walks on stage,
greeting the audience with the warmth of an old friend.

Opener, “Loves Great Adventure,” offers up clues as to what lies ahead;
tonight’s about immense passions, which radiate from a man who instantly becomes
engrossed in both his music and his performance. His movements accentuate the
energy of the song. As he edges into “The Voice,” this powerful track continues
to aid such illustrations – he’s blending all the colors perfectly.

There’s vast ground to cover, yet Midge has no problem selecting all the key
milestones – “Fade to Grey” proves an excellent waypoint – Midge delivering a
superb tribute to what is a true classic.

“Lied,” displays his immensely tight rhythm playing, so much so that there’s no
doubting Midge’s skill as a guitarist – his guitar work adds to the whole
flavoring of the performance, particularly during an excellent rendition of
Peter Green’s “Man of the World.” The melodic lead parts are eloquent and sharp,
piercing the atmosphere with their clarity, and played with a style that really
does this song justice.

Perhaps the biggest appeal tonight is the unmasked strength of vocal delivery
consistent throughout the show so far. The dynamics of his incredible range
really are forthcoming, reaching summits few would know existed during
“Breathe.”

The audience remains in high spirits, the popularity of certain tracks becoming
blatantly obvious. “Cold Cold Heart” unsurprisingly has most singing along while
“Vienna” instigates an almighty eruption of cheers.

“Dancing With Tears in My Eyes” captures a memorable guitar run; technicality
should never go unnoticed when it’s this good, but the distinguished moment
arrives with the uniquely crafted intimacy of encore “If I Was,” sculpted with
rich warm vocal tones.

Earlier, he was happy to share banter, including the trials of his new on-stage
box of tricks – thankfully however, its been best foot forward for Midge tonight
– long may he keep treading the boards.

For more information about Midge Ure, visit his website here.

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