Ghostly has taken great pains to convince its fan base that this ensemble of music, and ostensibly the invitations from Ghostly themselves, are worth paying […]
Reviews
Deaf Center & Svarte Greiner :: Double review (Type)
Totland favoured delicate piano work, field records and an eclectic array of both acoustic and electronic sounds from around the world to create atmospheric cinematic […]
Photek :: Avalanche EP (Photek Productions)
The bass wobbles are lacking the punch and intensity of dubstep’s current maestros and comes across as a caricature of the genre. [Listen | Purchase] […]
Kaval :: Sky of Mirrors (Das Drehmoment)
From dark mystic locations to retrofitted future cities Kaval take the listener into their exotic alcove of murky analogue alleyways, dense minimal forest and synthesizer […]
Prince Valium & Tonik :: Double review (TomTom)
When purely electronic music was much less rhythmically complex and much more about feeling and texture, you can’t beat it. Craig Hitchings investigates two of […]
Aquarelle :: Slow Circles (Rest + Noise)
Though this is the first full Aquarelle release, its five electro-acoustic ambient-drone domains are populated with the panache and poise of a veteran. Working instruments […]
[a]pendics.shuffle :: I See The Morning Time EP (Mo’s Ferry Productions)
A solid minimal tech/house release that comes bundled with a slice of experimental edges… it does have a sort of abstract quality to it which […]
FM3 :: Buddha Machine III – Chan Fang Soundbox iPad version (FM3)
While the Buddha Machine 3 may be quite limited, its iPad counterpart gives you six simulated machines to play with (each with 18 loops). Its […]
Kreidler :: Tank (Bureau B)
Legendary group Kreidler were formed in Dusseldorf in 1994. This North American exclusive 2011 release entitled Tank, is presented via the Beaurau B label, offering […]
wAgAwAgA :: Hyper Typewriter (Acroplane)
With wAgA’s insistence on producing some delicious acid basslines, he will inevitably draw comparison with the mighty Squarepusher at times, not that this is at […]
Kähn :: Like We Used To / Helter Skelter (Punch Drunk)
As with much of McGann’s recent work, the vocals are chopped up to create highly imaginative melodies, with the producer’s keen sense of texture shown […]
Recent Posts
Moonphase :: Dark Assembly (Petroglyph)
Boards of Canada unveil video for “Introit / Prophecy At 1420 MHz” from the forthcoming album Inferno (Warp)
Nora & Tess :: Mira’s Loop EP (Clean Error)
Sound Signatures :: Crafting your electronic music identity — by Nick Feldman (Routledge)
Rob Clouth :: Cicada EP (Mesh)
Yu Su :: Foundry (Short Span)
SCALD :: Asphyxia (Industrial Coast)
Eko :: The Mirror World (Evel)
