Featuring glitchy micro programmed beats, layers of finely honed electronic sounds and some truly gorgeous piano and string parts that have been lovingly weaved into […]
Author: Craig Hitchings
AD NOISEAM :: Eye of the storm
[April 2011] Well-respected German electronic imprint Ad Noiseam celebrates its 10th anniversary this month. So we thought it’d be a great opportunity to say thanks […]
Prince Valium & Tonik :: Double review (TomTom)
When purely electronic music was much less rhythmically complex and much more about feeling and texture, you can’t beat it. Craig Hitchings investigates two of […]
wAgAwAgA :: Hyper Typewriter (Acroplane)
With wAgA’s insistence on producing some delicious acid basslines, he will inevitably draw comparison with the mighty Squarepusher at times, not that this is at […]
Kähn :: Like We Used To / Helter Skelter (Punch Drunk)
As with much of McGann’s recent work, the vocals are chopped up to create highly imaginative melodies, with the producer’s keen sense of texture shown […]
Radiohead :: The King Of Limbs (XL/Hostess Entertainment)
If you haven’t already guessed, I have to mention that The King Of Limbs is an intensely personal listening experience, best suited to being played […]
Wascal :: Overstep / Don’t Forget (Louse)
Overall, then, this release does more than a fair job of representing the Bristol underground dance sound on more levels than one, offering up some […]
Eskmo :: Eskmo (Ninja Tune)
Angelides is clearly a phenomenal producer that has managed to create a unique sound, best demonstrated on the superb “Cloudlight.” In fact, it’s such a […]
Niveau Zero :: In_Sect (Ad Noiseam)
Frankly, there are far too many genres involved on this record to keep count of, yet they’re all flawlessly brought together to provide a very […]
Crewdson :: Dust EP (Slowfoot)
Dust EP is a phenomenal debut, proving that Crewdson will be one to watch in the future. In short, he’s managed to create something that […]














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