(July 2010) San Francisco based Dark Entries is back with another release, this time focusing on home soil with Dark Day and their Window LP. […]
Reviews
The Gods Planet :: EP 01 (The Gods Planet)
(July 2010) Italy has always had an affinity for electronic music. True, some times the Italian way with the synthesizer went awry, late Italo for […]
Jared Wilson :: The Rise and Fall of the Machines (Part 1) (Lux)
(June 2010) Few cities can throw up more polar opposite images than Detroit and Zurich. The former depicts grit, grime and hardship, the latter being […]
Johann Johannsson :: And in the endless pause… (Type)
(June 2010) Having frequently commented upon the cinematic nature of a wide variety of releases it makes a welcome change to be able to listen […]
Medical Records :: Reviews for Deutsche Wertarbeit and Alexander Robotnick
(June 2010) The US continues to lead the way in the wave and EBM revival, with Medical Records from Seattle cutting its teeth with two […]
V/A :: Underground Belgian Wave Volume 1 (Walhalla)
(June 2010) Belgium has an affinity for minimal synth music. There doesn’t really appear to be a reason why. Maybe it was the availability of […]
Oneohtrix Point Never :: Returnal (Editions Mego)
(June 2010) Daniel Lopatin is a purveyor of sorts. For a few years now, he has been providing nostalgic synthesizer music for thirsty ears in […]
Robert Hood :: Omega (M-Plant)
(June 2010) Robert Hood is a child of Detroit, but has grown into one of the fathers of Detroit techno. Over the years Hood’s take […]
Rene Hell :: Porcelain Opera + Rogue Camera (Type)
(June 2010) It’s been quite a while since Type released an electronic record that came anywhere close to being conventional, opting instead for a steady […]
Boxharp :: The Green (Hidden Shoal)
(June 2010) As a resident of the land down under I thought it apt that for my first contribution to Igloo I was offered the […]
Metaform :: The Electric Mist (Just)
(June 2010) Los Angeles is known for its producers and artists of all musical genres and glitch-hop is no exception. Metaform is a solo act […]

















