Unlike many ambient and drone composers, who keep their music all dark and moody, The Green Kingdom keeps it light and moody…
Author: Vital Weekly
Ard Bit :: Field Recordings – 04 Balkans (Self Released)
The ambient backdrop Ard Bit waves as to underline the quiet and slow country life depicted in the field recordings.
Wil Bolton :: Like Floating Leaves (laaps)
The delicate touch is omnipresent in his work, especially in the use of chimes and glockenspiel, but also with sound effects, such as a bit of delay here and there.
Tomoyoshi Date :: 438Hz As It Is, As You Are (laaps)
Tomoyoshi Date is a musician who knows how to make warm music from a cold laptop. To that end, he uses recordings from a Diapason upright piano in the house of his maternal grandmother’s sister.
Philippe Neau :: A Quiet Place (Mahorka)
Neau records tranquil surroundings, filled with birds and a bit of water, which he combines into soundscapes. He superimposes the material, and along with that, he adds some electronics.
Matt Atkins :: Cracked Syntax Variants (Tone Burst)
The rhythm patterns are slightly broken up and arrive with glitchy textures, small crackles and such. There is a warm atmosphere to the music.
Seabuckthorn :: Of No Such Place (laaps)
I especially enjoyed the fact that there is still plenty of room for more experimental sounds and that the delicacy is not the big idea here.
Tim Story :: Rust Smudges (Dais)
Each composition on Rust Smudges progresses ever so gradually, filling space while suspending time.
Ludvig Cimbrelius & Yellow6 :: Double review (Sound in Silence)
All eight pieces on Ludvig Cimbrelius’ Love Letters From The Sky are delicate and vulnerable pieces of music as Yellow6 provides atmospheric music taking its time to play on A Change In The Weather.
Philippe Petit :: A Reassuring Elsewhere, Chapter 1 (Oscillations)
The signal feeds into the synthesizers, transforming the sounds—bubbling, oscillating, bursting; and it all clearly demonstrates those ideas from musique concrète.
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