While the music is supposed to be ambient, it is also very rich in tone and, consequently, sonically very much present in one’s space.
Author: Vital Weekly
The Green Kingdom :: Ether Hymns (Dronarivm)
Unlike many ambient and drone composers, who keep their music all dark and moody, The Green Kingdom keeps it light and moody…
Ard Bit :: Field Recordings – 04 Balkans (Self Released)
The ambient backdrop Ard Bit waves as to underline the quiet and slow country life depicted in the field recordings.
Wil Bolton :: Like Floating Leaves (laaps)
The delicate touch is omnipresent in his work, especially in the use of chimes and glockenspiel, but also with sound effects, such as a bit of delay here and there.
Tomoyoshi Date :: 438Hz As It Is, As You Are (laaps)
Tomoyoshi Date is a musician who knows how to make warm music from a cold laptop. To that end, he uses recordings from a Diapason upright piano in the house of his maternal grandmother’s sister.
Philippe Neau :: A Quiet Place (Mahorka)
Neau records tranquil surroundings, filled with birds and a bit of water, which he combines into soundscapes. He superimposes the material, and along with that, he adds some electronics.
Matt Atkins :: Cracked Syntax Variants (Tone Burst)
The rhythm patterns are slightly broken up and arrive with glitchy textures, small crackles and such. There is a warm atmosphere to the music.
Seabuckthorn :: Of No Such Place (laaps)
I especially enjoyed the fact that there is still plenty of room for more experimental sounds and that the delicacy is not the big idea here.
Tim Story :: Rust Smudges (Dais)
Each composition on Rust Smudges progresses ever so gradually, filling space while suspending time.
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