Post Tagged with: "Soundscape"

The Exaltics :: 10 Million Light Years EP (Solar One)

It’s great to keep the old days alive, to celebrate those that started everything, but I’d be inclined to think that we are now living in the day of electro and the sooner we realize that, and support it, the better. Electronic music is just as retrospective as it is future gazing. For a sound […]

read more

Sebastian Reuschel :: The World is Shit (ZCKR)

Across two tracks, some twenty five minutes of music, field recordings, live music and machine groans are brought together. I’d the recent joy of moving flat. I know moving is a pain in the arse for anybody, but for the record collector it’s an especially harrowing experience. Boxing up two thousand plus records is no […]

read more

Dream Scoring :: Images of a Myth (Naissance Musik)

Images of a Myth may be a modern record, but its roots are firmly planted in the traditions of 90s electronics. Sounds are deep and warm, analogue and organic. Hakim Murphy is a prolific producer. Under his own name the Machine Dreams boss has sculpted soulful soundscapes in tones of ambient, house and techno. Over […]

read more

Ian Boddy :: As Above So Below (DiN)

As Above So Below follows the path of spacious and cinematic ambient music with sculpted and sinuous sound waves, soothing textures, pulsating electronic grooves and beats. Ian Boddy is one pioneering artist in the space ambient genre and stands among the leading figures of this electronic pop musical movement with 80’s synth players such as […]

read more

Filippo Diana :: Nemesi (KOOAAD Muzik)

A rounded vision of the sounds of the silver screen. A singular style isn’t adhered to, instead Diana explores all. Blood stained full moons, rain soaked sidewalks and the sole figure. KOOAAD Muzik’s second release bears a distant resemblance to its older brother. The first release on Joe Drive’s label, by the founder, has its feet […]

read more

Elsewhereness revisited #3 :: Party Like It’s 1991

Elsewhereness revisited is an occasional feature documenting the drift at the margins: ambient gasbagging, ’tube-d, ’cloud-ed, and ’camped-up, complete with companion mix, Elsewhereness revisited #3 1991 made waves in 2012 with High-Tech High-Life (Opal Tapes)—chewy New Age synth ‘n’ soundscapes laced with arpeggiating timbres and shimmering drones, and self-titled (Astro:Dynamics)–IDM-y sounds shot through with post-ambient forms and off-kilter melodies, while his Skogen, Flickan Och […]

read more

Breaklab :: Reet (ZCKR)

Ambient is the style pursued across the five installations. Resonance, echo, fade and decay are the central tools. No tracks are titled, in fact they somewhat merge into one another. I was listening to Will Self recently. If you don’t know him he’s a droll character. His voice has languid quality but his written, and […]

read more

36 :: The Infinity Room (A Strangely Isolated Place)

Featuring ten new tracks of rigorously and restrictively composed, atmospheric, minimal and synth-worshiping ambient electronica. Ryan Griffin’s A Strangely Isolated Place follows up Merrin Karras’ rigorously and restrictively composed, atmospheric, minimal and synth-worshiping album Apex with The Infinity Room by ambient veteran Dennis Huddleston’s 36, featuring ten new tracks of rigorously and restrictively composed, atmospheric, […]

read more

Posh Isolation :: The less trodden trails of Copenhagen

In an age where so much electronic music has chosen to strip back, to dumb down and pander to the room, this Danish imprint has decided to take the road less traveled; and they’ve found something pretty special at the end of that path. I went to Copenhagen last Easter. Maybe it was the Easter […]

read more

Nacho Patrol :: Panter 777 (Minimal Rome)

Panter 777 sees the synth junkie return to one of his lesser employed pseudonyms on the label which first debuted it. As a youngster I tried to stay abreast of releases from an up and coming artist. A bespectacled dutch man, one who looked like a serious amount of time was spent indoor and most […]

read more

The 7th Plain :: Chronicles I (A-TON)

Chronicles I is a far more concise experience than the lengthy 7th Plain albums it sources from but it never feels insubstantial. The unreleased material is easily on a par with everything that has gone before it, which raises a lingering question that we’ll probably have to wait until 2017 to have at least partially […]

read more

Tehkla :: Yagé (Schematic Music Company)

A tripped-out mind travel based on abstract sound design and flexible electronic waves. To name an album with an explicit reference to this famous plant from the Latin American civilization promises to deliver lysergic soundscapes with irresistible psychic powers. This new effort is signed by Tehkla for Schematic Music Company—a historical and highly productive label specialized […]

read more

Project STS-31 :: Spiralgalaxie (Solar One)

Frosted spacewalks juxtaposed by cerebral machinations, fragile soundscapes and minimal ambience, in a record that brings together a founding father and modern day trailblazer for a future classic. Electronic music can be fickle, especially when it comes to popularity. Some artists are launched into notoriety, seemly ascending into regard and respect with little rhyme nor […]

read more

Crotaphytus :: Acanthosaura (Further)

A fascinating mix of live shots, library music, field recordings and cold hard machine sounds from this pioneering pair. Crotaphytus. Who? It’s not a name you hear very often, but the members of this group have made a pretty big impact on electronic music in their short careers: Robert Witschakowski and Nico Jagiella. This pair […]

read more

Wolfgang Voigt & Deepchord present :: Peter Michael Hame’s Colours Of Time Re-Interpreted (Astral Industries)

Peter Michael Hamel’s Colors of Time Re-Interpreted features two artists on a split EP re-interpreting an obscure, multi-part kosmische synth epic from 1980. Since reviewing Astral Industries’ debut release, Deepchord’s now highly sought-after Lanterns, the label has gone on to release some decidedly strange, esoteric and surprising things, and in recent months, at a greatly accelerated […]

read more

Luciano Lamanna :: In Vitro (Multiple)

Lamanna’s musical musings are far from clipped, most of his offerings are well into the seven minute mark. And this is what distinguishes his style. Tracks grow into themselves, steadily developing, morphing and mutating into beasts of cold beauty. I’ve mentioned before the trouble I have with keeping up with Luciano Lamanna’s productivity. I’m glad […]

read more

David Fyans’ Somnambulist’s Field Guide

Breaking from Broken20, news of an impending audiovisual release from David Fyans, man behind the label’s design aesthetic. ‘Sound has always been an integral part of ritual. The shared listening experience can give a sense of community, of synchronised brainwaves and collective movement.’ (Fyans, The Somnambulist’s Field Guide) Breaking from Broken20, news of an impending audiovisual release from David Fyans, […]

read more

Robert Curgenven :: Climata (Dragon’s Eye / Recorded Fields)

Environments designed to bespoke geometric parameters with apertures admitting specific amounts of light and sound. Site is the essence of Robert Curgenven’s music—from its semiotic banner, Recorded Fields, to its rootedness in embodied sound. Its subject is the auditory act, its effect on space, architectural or open, and situatedness in time. They Tore the Earth and, […]

read more

Beyond The Bristol Sound… Subtext to Fluid Audio

A post-card from Bristol—post-trip hop, drum’nbass, dubstep, a view beyond The Bristol Sound. Alan Lockett surveys the field, and picks out new sounds from Subtext, Sullen Tone, and Fluid Audio. Moving to Bristol in the 90s offered a vantage point from which to view the rise of a group of artists whose time had come, media-constructed as […]

read more

Severence :: Mensch 003 (Mensch)

This is chilling material, haunting and lonesome. An album of introspection, of reflection and rich textures. In the age of glass and sleekness it’s interesting that modular synthesizers are becoming more and more popular. It’s kind of understandable. It’s the antithesis of the laptop or tablet. Compact versus colossal. Tap versus tactile. Digital versus analogue. There’s […]

read more

Phragments :: All Towers Must Fall (Malignant)

With its dark trumpet call and thundering bass frequencies the opening theme introduces the listener in a malevolent and adventurous sound ritualism absorbed by nightmare like hallucinations and shimmering darkness. Already part of the almighty and indispensable Malignant Records with two releases respectively published in 2008 and 2013, our favorite Slovakian figure of epic blackened […]

read more

Haruo Okada + Fabio Perletta :: Genkai (LINE)

A cross between micro-tonal electronics, processed acoustic textures and sound ecology. Fabio Perletta is an Italian sound artist (now living in Berlin) whose I discovered the music a couple of years ago with a series of editions for his own label Farmacia901. Perletta is also responsible of a number of publications from renown minimal soundscaping artists […]

read more

E.R.P. :: Ancient Lights (Solar One Music)

Buttressing electronica with stripped rhythms, E.R.P. creates warm and vivid soundscapes as The Exaltics add some extra thrust for the floor. The Hubble Telescope Series was established with clear intent. Founded with a space-soaked 12” of astral electro by Luxus Varta, the mission was to forge electronics in the form of worlds beyond our own. […]

read more

Red Stars Over Tokyo :: Deconstructing Happiness (Testtoon)

Contrasts melt, comparisons jar as a strange sense of composition is somehow maintained in this immensely absorbing album. Jeroen Lauwers is a staple of Testtoon Records. Under his Red Stars Over Tokyo moniker this soundscape sculptor has delivered two 12”s and a 2LP. And it’s to the Belgium imprint that he returns with a new […]

read more

Philippe Petit :: You Only Live Ice: Music From The Arctic Ice Shelf (Glacial Movements)

You Only Live Ice compellingly presents a landscape initially at rest, then draped, as if in timelapse, in dense tonal swathes, and wracked with electrostatic gusts and the chromatic violence of the Aurora Borealis, tension ratcheting up to a oneiric denouement. The last decade has seen Alessandro Tedeschi rope in a series of artists—the likes of Lull, Loscil, […]

read more

David Morley :: The Origin of Storms (De:Tuned)

Ambient music with a rich and textured techno depth. Inspired by Conrad Schnitzler, Morley draws on a soft and serene selection of sounds, swirling them into a soundtrack of storms. I love getting in a good ole natter about electronic music. I don’t want to listen to someone drone on about some flash in the […]

read more

Tape Loop Orchestra :: Go Straight To The Light Of All That You Love (Facture)

Artfully as ever, with visuals—blotchy black and grainy grey photos, a figure walking down the middle of a city street, run-down buildings and other urban lowlights—mirroring the music’s doleful air. Go Straight To The Light Of All That You Love finds Andrew Hargreaves—of The Boats, Beppu et al.—as Tape Loop Orchestra in typically pensive mode, hymning ‘the artist’s continual search… searching for […]

read more

Mark Pritchard :: Under The Sun (Warp)

It may take a while to really click, but when it does you’ll find Under The Sun really gets under the skin. It’s a potent mix of styles expertly ordered and meticulously produced by Pritchard, and one of the best things to come out on Warp in some time. The musical career of the indefatigable […]

read more

2VIEW :: Robert Crouch and Luigi Turra (LINE)

Richard Chartier’s good works for experimental electronic music minorities continue unabated, curating compositional and installation work by international dealers in contemporary sound art and digital minimalism. Latest in Line are Robert Crouch and Luigi Turra. 15 years of service as LINE manager behind him and Richard Chartier’s good works for experimental electronic music minorities continue unabated, curating compositional and installation work […]

read more