Post Tagged with: "IDM"

Nuanae :: Clusters And Refractions (Kaer’Uiks)

Nuanae creates sparse dystopian worlds of dysfunctional audio beauty. A visceral post-IDM charcoal display that ravishes the ears with exquisite noise and organized chaos. Splicing cables between early Autechre and Richard Devine, Nuanae creates sparse dystopian worlds of dysfunctional audio beauty. Asect:Dsect was once tagged as “technically rigorous,” an apt description that also applies to the […]

read more

D’Marc Cantu :: Hypnopompic (Endless Illusion)

After ten years Cantu’s sound has barely aged a day. The sweat and grime of Jak, the gnawing frustrations of house, the warming hopes and loss of techno; all present, swirled and compressed on Hypnopompic. I’ve been following D’Marc Cantu’s music since his first fury filled steps. Hissing house was the Ann Arbor artist’s forte, […]

read more

Barnacles :: One Single Sound (Boring Machines)

A beautifully designed and colorful ambient minimalist album which reveals an interesting electronic ballet for dreamy-like pulses and emotionally cinematic sound textures with discreet touches of echoing and processed field recordings. Matteo Uggeri is one eclectic and multifaceted sound artist mostly known for his collaborative works as well as for being a key member of […]

read more

Roel Funcken :: Balaklavskiy prospex (Funckarma.com)

Balaklavskiy prospex generates just as much energy as the nearest supernova remnants, and is perhaps best suited as the backdrop to these spectacular events. Roel Funcken, probably the most prolific musician of abstract electronic music this side of the galaxy, continues his foray into mind-altering sonic extractions. Balaklavskiy prospex bends and twists its way through […]

read more

Delayscape :: Aether (ZCKR)

For all intents and purposes it looked like Delayscape would remain a digital artist, popping up here and there with a track or a tape. ZCKR have taken the step and rightfully brought him to vinyl. An album of cheerful and soulful electronics, one that is soothing and utterly charming. In a less than obvious […]

read more

Analept :: Sternweite (Xtraplex)

Sternweite is a welcomed foray into IDM’s kick-off years, the nostalgic flare for polished, tempered, and downtrodden harmonies is ever-present from start to end, proving easily that Xtraplex knows how to unearth treasures buried deep in Belgian soil. Belgian net-label Xtraplex released Analept’s Sternweite in November 2016, a flickering look back into times gone by. […]

read more

Qebo :: The Former Generations of Structure (Detroit Underground)

The Former Generations of Structure delivers a fluid understanding of restrained electronics tethered to skeletal melodic tendencies. By way of Athens through Detroit, Qebo’s impacting sonic derailment is very much welcomed. Greece-based Qebo have been at it for over a decade, but have only just recently become (more) active, and we’re thrilled to dissect it. The […]

read more

Nonima :: Recur (Section 27)

Recur is choke-full of mechanically-infused electronic mayhem that is ever so lightly shielded by its tranquilized downtrodden shimmer. Section 27 founder Nonima (aka Tam Ferrans) reveals Recur, a diverse and abstract electronic abyss that segues into and out of consciousness. Take the opening “Recursor” as a starting point—elongated sounds from another galaxy expand and contract […]

read more

Onsy :: Freq 255 (Schematic Music Co.)

Early works from artists such as André Estermann, Arovane, Deru, Einóma, and Phonem come to mind when listening to Freq 255, Onsy’s debut for Schematic. As a result, Freq 255 manifests 7-tracks composed with utter style and finesse, its overarching nostalgic IDM charm is timeless. Early works from artists such as André Estermann, Arovane, Deru, Einóma, and […]

read more

Ignatius :: Hudibrastic & Smug Ruins EPs (Buried In Time)

Ignatius blends (these) interconnected noisy streams into mangled glitch sandstorms and electrical distortions. Ignatius certainly knows a thing or two about modular equipment, on both Hudibrastic and Smug Ruins, it’s evident that there’s more to life than waiting for another round of Autechre material. If elseq-1-5 was any indication of Ae’s “constantly shifting focus,” than Ignatius […]

read more

Hydroplane :: Panda (Schematic Music Co.)

Delivering high-definition production and fluid melodic streams, Hydroplane has a compulsion for robotic electronics bursting at the seams. Hydroplane (aka Renzo Gorrio), seemingly out of nowhere, reveals an impacting full-length tucked within eight tracks in the six-plus minute range. Panda weaves and shimmies its way in a maze of leftfield bass bin echoes. Phoenecia-inspired fragmented electro, Bitstream’s […]

read more

Autechre :: Incunabula, Amber, Tri-Repetae (Warp)

As cynical one might feel about reissues, however, they can sometimes be nothing short of stellar, absolutely warranted, and in the case of much out of print early Autechre, long overdue. For the longest time there’s been something incongruous about the idea of listening to Autechre on vinyl, a medium whose inherent limitations Booth and […]

read more

V/A :: Unboxed Brain (De:Tuned)

Brainbox, and now Unboxed Brain, shows the range that exists within this almost limitless genre. Embrace the factory floor. Pull close to your bosom the clatter and clang of the warehouse.   I was out the other weekend here in Madrid, went to a club night where Daniele Cosmo, of Lux Rec, and me mate […]

read more

TAPE :: Transmissions 10

In the true dichotomy that is the tape release world, we’ve continued to trawl the digital world to search out some of the finest tape releases for your ears. Despite a fair degree of searching it feels like we are only just touching the surface of the DIY tape world. Presented here is a small […]

read more

V/A :: Covert II EP (De:Tuned / Touched Music)

From sweaty floor to Saturday armchair, Covert II will provide. There’s always a certain amount of media fanfare about the prospect of a “supposed” Aphex Twin release. A whisper of Richard D. James is as much tantalising click-bait for the electronic music nut as the promise of celebrity nudity is to your local lad. Covert […]

read more

Goodbye, but not farewell :: Femur Mix

I was lucky enough to get behind the turntables there in November of 2015, a mangled and mashed warm up mix before Alessandro Parisi and Juanpablo rounded off a cracking Frigio Showcase. Never got round to doing a track list and hence the wait, only took 18 months! Friday night. Rain. Hail. Oppressive heat. Round […]

read more

Nearfield :: G5 (Brainstormlab)

Distinctive, late 90’s IDM hues are in full force—robust percussion, distant melodies and heavy bass jabs scatter throughout each piece. Belarus-based Nearfield continue to shuffle, mince and break apart exp-electronic music until only the roots are exposed. The duo seamlessly refine and migrate the finest in wide-angle glitch productions, with G5 being their latest installment. […]

read more

RVDS :: Shadows (It’s)

RVDS, Richard Graf von der Schulenburg, undoubtedly has the silver box bug. Yet he comes at the writhing wiggle of acid like few others. His latest album is testament to his love of that squirming sound and so much more. Acid seems to be an addiction. Once you lay hands on a TB303, or a […]

read more

Thin Films :: Mountains and Machines (Thin Recordings)

Electronic varietals shimmy and segue through lush piano keys, and classic late 90’s-era IDM reflections. Fans of Ocoeur, Ulrich Schnauss and Kettel will revel in the mountainous peaks and softened machine grooves. UK’s Dan McRae (aka Thin Films) reveals Mountains and Machines, where electronic varietals shimmy and segue through lush piano keys, and classic late 90’s-era […]

read more

EOD :: EODS | TVTM :: Alphanumerix (WeMe)

The squirming acid playfulness of Braindance, the cold shot of electro with some light sprinklings of electronica are the hunting grounds of both platforms with WeMe having near a decade’s experience. Alphanumerix is an offering of cerebral electronics with nods to a range of styles, a record for armchairs and floors. WeMe is a label I’ve […]

read more

Scarper :: Lacuna EP (Plexus)

The most enjoyable thing about this EP is not just the music but also just how fun it is. The recent Kettel album on Clone also inhabited a similar space—putting quirkiness back into electronic music. Here’s a little gem that we missed back in 2016. Described by BBC 6 Music as “a modern day Jean Michel-Jarre“, […]

read more

Sixty Drops :: Turquoise (Self-Released)

A breath of fresh air, an ode to docile glitch, brisk clicks, and wandering trails, Turquoise is solemn, disparaging, and filled with electrical noodles meant to be entangled in its downtempo sheen. Turquoise opens with the emotional “Fold 013,” a crisp, glitch and an intertwined chant wraps itself in a mesmerizing loop akin to Dead […]

read more

Mtch :: Dplx Cut Optr (Kaer‘Uiks)

Perhaps a next generation Gantz Graf foray, here we receive nine erratic, electronic time-capsules strung through a tangled wire mess, broken beat boxes and atonal DSP-driven composition. A digestible wall of wide-angle digital noise. Mtch, we’ll have to admit, is a relatively new moniker to these ears—and they were featured in one of our favorite […]

read more

Loess :: Pocosin (n5MD)—exclusive stream

The multi-talented duo carefully stitch tempered, tranquil, pensive, and robust low-end tones on Pocosin—to be released February 17th with Oakland-based n5MD. Here’s an exclusive stream of “Striae”—a drifting and timeless sound escape that only Loess could navigate. Pine Barrens, NJ-based Clay Emerson and Ian Pullman (aka Loess) return with a new album. Their signature crumpled, colliding, slow-motion […]

read more

Qebrus :: ᐔ ᐌ ᐂ ᐍ ᐚ EP (Love Love)

Qebrus’ definitive arcane noises all seem to coalesce somehow. Next-level experimentation, chaotic as can be, this EP is the perfect soundtrack to an altered parallel universe. We’ve written about Qebrus in the past, but it’s always been a challenge. Yes, his music is a challenge—it defies convention, rips through an electronic mess and leaves the […]

read more

Chris Randall :: Oscillator Breach (Detroit Underground)

What should we expect from this stylistic chameleon? Heavy bass, for starters. More of those delicious dub/dub-techno chord changes and beats. Six original tacks, then four more which receive loving treatment from a cast of remixers including Proem and the inimitable Baseck. Chris Randall, according to his twitter bio, is a “Musician, Writer, User Interface […]

read more

Dissolved :: Illuminant Shatter (Dissolvedamberrooms)

Illuminant Shatter, Dissolved’s third album for 2016, is yet another bustling percussive trove. An emblematic audible flurry and vibrant collage art piece. Dissolved, a Glasgow-born, Vancouver-based artist, has a prolific musical activity stream. Illuminant Shatter, his third album for 2016, is yet another bustling percussive trove. I tend to gravitate towards Dissolved’s penchant for Artificial Intelligence-era IDM. Soft […]

read more

V/A :: CL-X: Crazy 10 Years A/V Compilation (Crazy Language)

Focused on a varietal mix from just about every exp-electronic sub-genre, CL-X: Crazy 10 Years is certainly a welcomed closure to the year, bringing much needed horsepower to propel us into 2017. Here’s another one before we close the books on 2016. Music certainly is a crazy language, and the Berlin-based netlabel celebrates its 10th […]

read more

Lokom :: Nyctalope Ponies (Abstrakt Reflections)

Lokom succeeds in crafting a maze of extraterrestrial glitch, adding some friends on remix duty—including Balkansky, c0ma, DaFake Panda, Andrew Course, Ralp, The Ghost of 3.13—and punishes the floor with anxiety-driven ferocity. Grenoble, France-based Lokom album titled Sweet Home And Gasoline (Kaometry, 2014) was noted as “An engrossing and screeching cacophony of percussive annihilation for ear, mind […]

read more