Post Tagged with: "Glitch"

Maelstrom :: ALPH4 (Central Processing Unit)

A finely executed EP that contorts itself around rugged electro-techno of yesteryear, but with an updated machined pulse. Maelstrom (aka Joan-Mael Péneau) delivers an action packed 7-track extended player for the well oiled Sheffield-based CPU imprint. Through each piece you’ll find pistons firing at all angles, Detroit influences spread across acidic electro forms (“VZNEITIT”), and […]

read more

V/A :: Nature of Chaos Vol. 1 (ELM Collective)

Nature of Chaos Vol. 1 flashes skewed electronic listening music—punishing the ears with tangled sub-genre elements and tugging firmly on the heartstrings. A relatively new compilation (November 2017) that flashes skewed electronic listening music—punishing the ears with tangled sub-genre elements and tugging firmly on the heartstrings. 15 cuts with articulated and bubbling technoid shades (ie. […]

read more

Huron :: Invisible Hands EP (Subtrakt)

Invisible Hands is more than a fleeting moment in time, its extraterrestrial darker electronic strain is a welcomed entrance for the new year. Huron returns with a brisk extended player for the Subtrakt imprint. The opening 10-minute foray into glitch-industrial serenity is revealed on “The Way Through.” This track alone delivers with all pistons running—charcoal […]

read more

Loden :: Lit For Exits (Extinct)

Fans of Clark and Amon Tobin might want to delve head first into Loden’s latest sonic plateau. A versatile and euphoric trip for mind and body, Lit For Exits is the proverbial exp-electronic music buffet worth every minute. Loden, known for his abstract musical project with labels like Eat This, Mush, and Colony, offers the […]

read more

Jvox :: Funhouse (Component)

Casual yet chaotic, serene yet skewed, Jvox manipulates sound like no other—ultimately making Funhouse its own contagious entity. Welcome back Jvox—one of my favorite musicians from the early 2000s! He comes in full-steam ahead on the wacky, glee-filled, downtempo beauty that is Funhouse. Have a listen to “Don’t Be Afraid” to get a sampling of […]

read more

Badrich :: Fatberg (Self-Released)

Badrich blends electroacoustic glitch, digital debris, atmospheric noise, and acidic squelches like a skilled sonic craftsman. Badrich (aka J. Goodrich) returns with 38-minutes of organized chaotic rumbling. Almost as if intentionally running his modular machinery through a washing machine, Fatberg dips and dives through an electrical maze. Seemingly broken into four interconnected parts (“mauve // […]

read more

zvλd :: Baklava (Occult Research)

A brisk jaunt through dissolved electro contortions revealing that zvλd is able to easily distort micro-electronics with finesse. I’m not sure how this one slipped under the radar, but I’ll admit it should have received a proper listen in 2017 when it was released. Imagine, if you will, a cross-section cut through the abstract electro […]

read more

Mtch :: Nrvaqaprol EP (Kaer’Uiks)

Mtch elevates abstract glitch to new heights while still maintaining a claustrophobic and subtle musicality that is elusive on Nrvaqaprol. Mtch (aka Mitch Cramer) continues to confound and break pre-conceived glitch notions, the coverage we unfolded in 2017 was only a glimpse into the strange worlds he’s able to inhabit. “Nrvaqaprol” leads the way via minuscule […]

read more

FFT :: fft1 EP (Uncertainty Principle)

fft1 presents a cross between Ryoji Ikeda’s hyper-technical high frequency work, ’90s bleep and rave tropes, and the experimental electro explorations of Bitstream. A mysterious five tracker from new UK-based label Uncertainty Principle. fft1 presents a cross between Ryoji Ikeda’s hyper-technical high frequency work, ’90s bleep and rave tropes, and the experimental electro explorations of Bitstream. All […]

read more

Subskan :: Ambidextrous Asylums (Hymen)

Ambidextrous Asylums performs the heroic celebration of industrial production—and then narrates its post-modern obliteration. An entire factory complex is crushed down into a single, blankly-blinking bank of computers. The shadowy hand-almond of a smartphone has killed entire regions. DJ and producer Subskan (aka Jean-Marx Polet) remains within a warp of obscurity—the German label behind his […]

read more

Nuanae :: Ryð EP (Kaer’Uiks)

Ryð is a refreshing and engaged five-track extended player that effortlessly crosses the wires between mechanical and instrumental production. Nuanae’s sound, as a result, sways back and forth between classic IDM and current-era electronic experimentation. Earlier this year, Nuanae’s Clusters And Refractions EP was described as “creating sparse dystopian worlds of dysfunctional audio beauty. A visceral post-IDM charcoal […]

read more

Esem :: || EP (Self-Released)

Esem maneuvers a new batch of emotive tracks, this time in a minimalist direction where electrical bits are crunched together with utter precision. Esem (aka Georgi Marinov) maneuvers a new batch of emotive tracks, this time in a minimalist direction where electrical bits are crunched together with utter precision. “n-fold” delves into abstract glitch fissures, […]

read more

][uron :: Tracks 2008-2010 (Self-Released)

Tracks 2008-2010 is a great starting point for the Huron sound—a musical curriculum vitae that features relaxed, next-level electronic audio-works. From post-industrial slivers to dark-ambient realms, soundtrack-driven themes are elevated to reveal new layers of isolation. Steffen Schröder (better known as the prolific Huron) has been on my radar for several years. Continuing to cultivate futuristic […]

read more

Yaporigami :: One Sound Extinguisher EP (Kaer’Uiks)

An infected post-apocalyptic foray into abstract, circuitry-based music that is at once arcane, chaotic, and unusually appealing. Yu Miyashita (aka Yaporigami) continues to baffle the ears, having scattered electrical debris on a plethora of releases and remix support over the years, One Sound Extinguisher is signed to Germany-based Kaer’Uiks—purveyors of robust exp-electronic music. A definitive […]

read more

Room Of Wires :: Mastakink EP (Self-Released)

Three exp-electronic music reference points in the field of mutated IDM, glitch, and spastic beat collisions, while the original stands as a crowning achievement. Room Of Wires continues to evolve in the explosive breakbeat electronics realm and “Mastakink” is his latest single. The title track busts through a cataclysmic and darkened industrial-electro veil that is […]

read more

Ikuko Morozumi :: Proof Of Existence (Detroit Underground)

A vast mechanized soundscape of turbulent drones and industrial chaos at its most creative. I’m heading into Proof Of Existence with a blank slate, tuned in, and drifting full-speed into another dimension. Ikuko Morozumi develops vast mechanized soundscapes of turbulent drones and industrial chaos at its most creative. “Line” is perhaps the most definitive of […]

read more

Brittney Sparse :: Triumph of a Horse Called Radioman EP (Condition:Human)

Brittney Sparse doesn’t seem too concerned with semantics, but instead details a dub-techno strain and eroded electronic sound that is both relaxing and contemplative. Brittney Sparse, a Chang Terhune (aka Cathode Ray Tube) moniker, churns another extended player for his own Condition:Human imprint. On repeat around these parts, Triumph of a Horse Called Radioman yields emotive, dubby, […]

read more

V/A :: Hallucino Attics (Dissolved Re​-​Constructed 2001​-​2006) (Section 27)

Hallucino Attics displays a virtual cornucopia of audio delights in the form of 25-tracks that bend, twist, and contort freely. Perhaps the widest genre-bending lens in the experimental electronic arena, its aural construct and splendid reprieve from the norm makes for the quintessential musical reference point. Yet another massive undertaking, and one that came together by […]

read more

Ignatius :: Legacy Systems (Buried In Time)

Legacy Systems, in summary, is built upon the fluid relationship between man and machine, offering along the way, an extraterrestrial sound field that is utter Autechrean electronic bliss. Perhaps pointing to outdated computer systems, or technology in its title, Ignatius—covered quite a bit in our pages—continues to craft out of this world modular audio collages […]

read more

Abjective :: Diamagnetic Levitation (Detroit Underground)

Diamagnetic Levitation is an exp-electronic focal point of magnetic sounds that culminate to form a tangible and minimalistic detour through IDM’s early (and finer) days. Vadim Pantin’s Abjective moniker was established about 8-years ago—a visceral undertaking that blends articulated / modular electronics, raw rhythmic bits, and fractured melodic notes. With previous collaboration alongside notable acts such as […]

read more

3View :: Asymmetrical Head, EXO_C, Kothyus (Bonding Tapes / Kvitnu / People Can Listen)

A three-pack review including the latest purveyors of experimental-electronic sound emanated from San Diego, California-based Bonding Tapes, Vienna, Austria-based Kvitnu, and Mogilev, Belarus-based People Can Listen imprints. Asymmetrical Head :: Information World Remixes EP (Bonding Tapes) Just a few years ago we described the original Information World EP—released on Bewegung, 2014—as “a well-balanced if not tranquil […]

read more

Gamardah Fungus :: Fairytales (Flaming Pines)

The immersive, enigmatic and sometimes detached textures are made of micro noise interferences, guitar tricks, reverbs, found sounds and sustained droning moves framed by a dissonant/consonant compositional mode. I’ve always been fond of Flaming Pines‘ DIY philosophy, passion and interest for home made “chamber” ambient music and “sound mapping.” In this register the UK based […]

read more

Monoiz :: Qodkluster EP (Detroit Underground)

Qodkluster, to put it simply, is very well-produced next-level electro-glitch. Abstract and effective electronic music with just the right amount of horsepower and conviction to keep the genre alive and well. Not unlike what you would consume on the Raster imprint, Monoiz fractures percussion and technoid rhythms to no end. “Cyclock5” does just that, its […]

read more

V/A :: Fifth Listen (People Can Listen)

Belarus-based People Can Listen reveal their fifth heartfelt compilation with punchy electronic stems at its core, further nurturing artist relations. A fresh perspective on the tried and true IDM genre—not overtly groundbreaking, but engaging nonetheless. More and more labels continue to navigate their way through artist relationship building with the intent to fill the music libraries of […]

read more

Valance Drakes :: An honest approach to it EP (Detroit Underground)

A mixture of fine-tuned and de-tuned glitch abstracts—tempered, submerged and drifting slow-motion electronics. Perhaps the closest we’ve seen to a full length release—although only a 21-minute runtime—Valance Drakes reveals an 8-piece EP for Detroit Underground. An honest approach to it is a mixture of fine-tuned and de-tuned glitch abstracts—tempered, submerged and drifting slow-motion electronics. “Greed […]

read more

Random Value :: Chuku Kelev EP (Clean Error)

Random Value offers Clean Error their 31st release and pulls together a vast electrical tapestry that spans through emotion and erratic tendencies. Random Value offers Clean Error their 31st release and pulls together a vast electrical tapestry that spans through emotion and erratic tendencies—a 180-degree switch from the kaleidoscopic musical entity that was Chromatic Aberration (Clean Error, […]

read more

Mtch :: Splt / Rlm (Kaer’Uiks)

Devoid of emotional impact, the album moves forward via robotic glitch, clicks, flicks, and blips that are ruggedly manifested around bass jolts that even Autechre might adore. Mtch unveils Splt / Rlm, a 10-track album providing surreal sound-scrapes, disjointed electrical activity, and dynamic mood-shifts formed around audible data-pushing. Devoid of emotional impact, the album moves […]

read more

Wake :: Am Diamond (Schematic Music Co.)

A well-executed 14-track album that chisels its way through an electrical, beat-invested avalanche of epic proportions. Wake, aka Matthew M. Hettich, sets up an account with long-running Schematic (directed by Phoenecia duo Romulo & Josh). Having been a fan of the imprint, Wake grew up in Miami and spent a good number of teenage nights […]

read more

Cobalt Rabbit & Fox Machine Gun :: Luminance EP (Insight Music)

Luminance drips with casual, effective, and brightly detailed electronic sound design. Cobalt Rabbit & Fox Machine Gun join forces to elicit a calm organic-electronic view from a far away place on Luminance. Piano extracts on “Spire” featuring Michael FK is an emotional whirlwind, its serenity​ displaced by gaseous sound design, eventual beat slicing, and slithering ninja […]

read more