Category: "Headlines"

TüTH :: Transgression (Umor Rex)

Sometimes, a release falls into your hands which has only magic about it; hearing the first bars, the long and guttural machine cough which it gives out, you close your eyes in anticipation. Transgression transfixes itself within the body, crunching through the listening ear—alert, cunning, and yet almost intolerably gigantic. It is music both depersonalized and […]

read more

3View :: Asymmetrical Head, EXO_C, Kothyus (Bonding Tapes / Kvitnu / People Can Listen)

A three-pack review including the latest purveyors of experimental-electronic sound emanated from San Diego, California-based Bonding Tapes, Vienna, Austria-based Kvitnu, and Mogilev, Belarus-based People Can Listen imprints. Asymmetrical Head :: Information World Remixes EP (Bonding Tapes) Just a few years ago we described the original Information World EP—released on Bewegung, 2014—as “a well-balanced if not tranquil […]

read more

Jurko Haltuu :: And In My Tears and In The Heaviness Of Everything I Drowned (Shimmering Moods)

A vast, intimate and deeply sorrowful exploration of the mind, its search for salvation. After a short summer break, Shimmering Moods are back with three new monthly releases with a pretty autumnal-moodily introspective flavor, faithful to the standards of organic/experimental ambient music. Let’s have a few words about the new release by Jurko Haltuu, a […]

read more

Gamardah Fungus :: Fairytales (Flaming Pines)

The immersive, enigmatic and sometimes detached textures are made of micro noise interferences, guitar tricks, reverbs, found sounds and sustained droning moves framed by a dissonant/consonant compositional mode. I’ve always been fond of Flaming Pines‘ DIY philosophy, passion and interest for home made “chamber” ambient music and “sound mapping.” In this register the UK based […]

read more

The Tin Box :: Invisible Kin (Audiobulb)

In fact barely a tone here is jangling or discordant—everything is focused, intricate and direct. Invisible Kin’s sound has its roots in Autechre’s easier material, or Boards of Canada’s more upbeat and uptempo productions. The Tin Box is a solo project by US composer Tucker Sferro. Sferro is something of a rarity when it comes […]

read more

Belief Defect :: Decadent Yet Depraved (Raster)

Decadent Yet Depraved is a music which can only exist in—and reflect—the pulverized remains and contradictions of a giddy late capitalist plunge into its own abyss. As much as Decadent Yet Depraved utilizes the equipment and machineries of contemporary society, its derangement of them and its throttling, absurdist violence—speak to its attempt to identify music (and […]

read more

V/A :: Fifth Listen (People Can Listen)

Belarus-based People Can Listen reveal their fifth heartfelt compilation with punchy electronic stems at its core, further nurturing artist relations. A fresh perspective on the tried and true IDM genre—not overtly groundbreaking, but engaging nonetheless. More and more labels continue to navigate their way through artist relationship building with the intent to fill the music libraries of […]

read more

Techno’s Outer Limits :: October 2017

Latest emission in a series from Techno’s Twilight Zone of EPs/12″s and LPs with notes in the margins.   Anthony Linell is back, Abdulla Rashim veil shed to go as nomenclatural nature intended on debut, Consolidate, with a 2 x 12″ ‘to depth charge vacant participants and lilting movers.’ Emerald Fluorescents has a steelier feel with scattered fractal stabs rotating round […]

read more